Music, postcolonialism, and gender, the construction of Irish national identity, 1724-1874, Leith Davis
Type
Creator
1
Subject
4
Content
1
Mapped to
1
Label
Music, postcolonialism, and gender, the construction of Irish national identity, 1724-1874, Leith Davis
Language
eng
Bibliography note
Includes bibliographical references (pages 233-300) and index
resource.governmentPublication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
Literary form
non fiction
Main title
Music, postcolonialism, and gender
Nature of contents
bibliography
Oclc number
62090774
Responsibility statement
Leith Davis
Sub title
the construction of Irish national identity, 1724-1874
Table of contents
Nation and notation : Irish music and print culture in the eighteenth century -- Harping on the past : Joseph Cooper Walker's historical memoirs of the Irish bards and the "horizontal brotherhood" of the Irish nation -- "The united powers of female poesy and music" : Charlotte Brooke's reliques of Irish poetry -- Sequels of colonialism : Edward Bunting, the ancient Irish music, and the cultural politics of performance -- Patriotism and "woman's sentiment" in Sydney Owenson's Hibernian melodies and The wild Irish girl -- A "truly national" project : Thomas Moore's Irish melodies and the gendering of the British cultural marketplace -- In Moore's wake : Irish music in Ireland after the Irish melodies -- Irish music, British culture, and the transatlantic experience
Incoming Resources
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