European University Institute Library

Art and Ocean objects of early modern Eurasia, shells, bodies, and materiality, Anna Grasskamp

Label
Art and Ocean objects of early modern Eurasia, shells, bodies, and materiality, Anna Grasskamp
Language
eng
Index
index present
Literary Form
non fiction
Main title
Art and Ocean objects of early modern Eurasia
Medium
electronic resource
Nature of contents
dictionaries
Oclc number
1281707880
Responsibility statement
Anna Grasskamp
Series statement
Connected histories in the early modern worldCambridge Social Sciences eBooks
Sub title
shells, bodies, and materiality
Summary
During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells' shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.--, Provided by publisher
Content
Mapped to