European University Institute Library

The American Marshall Plan film campaign and the Europeans, a captivated audience?, Maria Fritsche

Label
The American Marshall Plan film campaign and the Europeans, a captivated audience?, Maria Fritsche
Language
eng
Bibliography note
Includes bibliographical references (pages 310-327), filmography (pages 241-254), and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
The American Marshall Plan film campaign and the Europeans
Nature of contents
bibliographyfilmographies
Oclc number
967056983
Responsibility statement
Maria Fritsche
Sub title
a captivated audience?
Summary
"The US government launched the European Recovery Programme, otherwise known as the 'Marshall Plan', in order to save war-torn Europe from collapse in 1948. Yet while much is known about the economic side of the Marshall Plan, the extensive film campaign that accompanied it has been largely overlooked until now. The American Marshall Plan Film Campaign and the Europeans is the first book to explore the use of the Marshall Plan films and, importantly, their distribution and reception across Europe. The study examines every available film - the 170 that remain from the 200 estimated to have been made - and looks at how they were designed to instil hope, argue the case for economic restructuring and persuade the Europeans of the superiority of the liberal-capitalist system. The book goes on to reason that the films served as a powerful weapon in the cultural Cold War, but that the European audiences were by no means passive victims of the US propaganda effort. Maria Fritsche discusses the Marshall Plan films in the context of countries across Western, Northern and Southern Europe, covering the majority of the 17 European countries that participated in the Plan in the process. The book incorporates 70 images and utilises a vast number of archival sources to explore the strategies the US adopted to sway the minds of the Europeans, the problems they encountered in the process and, not least, the varied responses of the European audiences."--, Provided by Publisher
Classification
Content
Mapped to

Incoming Resources