European University Institute Library

The Great War in American and British Cinema, 1918–1938, Art Amidst the Ashes, by Ryan Copping

Label
The Great War in American and British Cinema, 1918–1938, Art Amidst the Ashes, by Ryan Copping
Language
eng
resource.imageBitDepth
0
Literary Form
non fiction
Main title
The Great War in American and British Cinema, 1918–1938
Medium
electronic resource
Nature of contents
dictionaries
Oclc number
1230956040
Responsibility statement
by Ryan Copping
Series statement
Palgrave Studies in the History of the Media,, 2634-6575Springer eBooks.
Sub title
Art Amidst the Ashes
Summary
This book recounts the reception of selected films about the Great War released between 1918 and 1938 in the USA and Great Britain. It discusses the role that popular cinema played in forming and reflecting public opinion about the War and its political and cultural aftermath in both countries. Although the centenary has produced a wide number of studies on the memorialisation of the Great War in Britain and to a lesser degree the USA, none of them focused on audience reception in relation to the Anglo-American ‘circulatory system’ of Trans-Atlantic culture.--, Provided by publisher
Table Of Contents
1. Introduction: Historical Reception Studies and the Circulatory System -- 2. The Heart of Humanity and The Four Horseman of the Apocalypse: The Just War -- 3. Laurence Stallings and the Veteran-Author -- 4. James Whale: ‘A Britisher Who Thinks, Cinematically, Like an American’ -- 5. The Aftermath of All Quiet on the Western Front -- 6. Things to Come -- 7. The Universal Brotherhood
Content
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