European University Institute Library

A history of the Harlem Renaissance, edited by Rachel Farebrother, Miriam Thaggert

Label
A history of the Harlem Renaissance, edited by Rachel Farebrother, Miriam Thaggert
Language
eng
Index
index present
Literary Form
non fiction
Main title
A history of the Harlem Renaissance
Medium
electronic resource
Nature of contents
dictionaries
Oclc number
1224044918
Responsibility statement
edited by Rachel Farebrother, Miriam Thaggert
Series statement
Cambridge Social Sciences eBooks
Summary
The Harlem Renaissance was the most influential single movement in African American literary history. The movement laid the groundwork for subsequent African American literature, and had an enormous impact on later black literature world-wide. In its attention to a wide range of genres and forms - from the roman à clef and the bildungsroman, to dance and book illustrations - this book seeks to encapsulate and analyze the eclecticism of Harlem Renaissance cultural expression. It aims to re-frame conventional ideas of the New Negro movement by presenting new readings of well-studied authors, such as Zora Neale Hurston and Langston Hughes, alongside analysis of topics, authors, and artists that deserve fuller treatment. An authoritative collection on the major writers and issues of the period, A History of the Harlem Renaissance takes stock of nearly a hundred years of scholarship and considers what the future augurs for the study of 'the New Negro'.--, Provided by publisher
Table Of Contents
Part I. Re-reading the New Negro -- Cultural Nationalism and Cosmopolitanism in the Harlem Renaissance / Daniel G. Williams -- Making the Slave Anew: History and the Archive in New Negro Renaissance Poetry / Clare Corbould -- The New Negro among White Modernists / Kathleen Pfeiffer -- The Bildungsroman in the Harlem Renaissance / Mark Whalan -- The Visual Image in New Negro Renaissance Print Culture / Caroline Goeser -- Part II. Experimenting with the New Negro -- Gwendolyn Brooks: Riot after the New Negro Renaissance / Sonya Posmentier -- Romans à Clef of the Harlem Renaissance / Sinéad Moynihan -- Modernist Biography and the Question of Manhood: Eslanda Goode Robeson's Paul Robeson, Negro / Fionnghuala Sweeney -- Modernism and Women Poets of the Harlem Renaissance / Maureen Honey -- Children's Literature of the Harlem Renaissance / Katharine Capshaw -- Part III. Re-mapping the New Negro -- London, New York, and the Black Bolshevik Renaissance: Radical Black Internationalism during the New Negro Renaissance / James Smethurst -- Island Relations, Continental Visions, and Graphic Networks / Jak Peake -- "Symbols from Within": Charting the Nation's Regions in James Weldon Johnson's God's Trombones / Noelle Morrissette -- Rudolph Fisher: Renaissance Man and Harlem's Interpreter / Jonathan Munby -- Part IV. Performing the New Negro -- Zora Neale Hurston's Early Plays / Mariel Rodney -- Zora Neale Hurston, Film, and Ethnography / Hannah Durkin -- The Pulse of Harlem: African American Music and the New Negro Revival / Andrew Warnes -- The Figure of the Child Dancer in Harlem Renaissance Literature and Visual Culture / Rachel Farebrother -- Jazz and the Harlem Renaissance / Wendy Martin -- Alain Locke and the Value of the Harlem Renaissance / Shane Vogel
Content
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