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The Resource The evolution of English collecting : receptions of Italian art in the Tudor and Stuart periods, edited and introduced by Edward Chaney

The evolution of English collecting : receptions of Italian art in the Tudor and Stuart periods, edited and introduced by Edward Chaney

Work
Publication
Extent
  • vii, 484 p.
  • 320 p.
Note
"Published for the Paul Mellon Centre for Studies in British Art, the Yale Center for British Art."
Contents
  • The Italianate Evolution of English Collecting / Edward Chaney
  • The Collecting and Patronage of John, Lord Lumley (c.1535-1609) / Kathryn Barron
  • Collecting and Religion in Late Sixteenth-Century England / Richard L. Williams
  • The Early Cecils and Italianate Taste / Susan Bracken
  • A Question of Judgement: Lucy Harington, Countess of Bedford, as Art Patron and Collector / Karen Hearn
  • The Ambassador as Art Agent: Sir Dudley Carleton and Jacobean Collecting / Robert Hill
  • Thomas Howard, the Collector Earl of Arundel and Leonardo's Drawings / Jane Roberts
  • The Countess of Arundel and Tart Hall / Elizabeth V. Chew
  • Italian Paintings in the Buckingham Collection / Philip McEvansoneya
  • Richard Symonds and Thomas Isham as Collectors of Prints in Seventeenth-Century Italy / Anne Brookes
  • The Aldrich Prints: A Late Seventeenth-Century Collection, its Sources and Arrangement / Christopher Baker
  • The Duke of Marlborough as a Collector and Patron of Sculpture / Charles Avery
Isbn
9780300102246
Instance
Label
The evolution of English collecting : receptions of Italian art in the Tudor and Stuart periods
Title
The evolution of English collecting
Title remainder
receptions of Italian art in the Tudor and Stuart periods
Statement of responsibility
edited and introduced by Edward Chaney
Creator
Contributor
Associated name
Editor
Subject
Language
eng
Member of
Cataloging source
A7U
http://library.link/vocab/creatorName
Chaney, Edward
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Paul Mellon Centre for Studies in British Art
  • Yale Center for British Art
Series statement
Studies in British art
Series volume
12
http://library.link/vocab/subjectName
  • Collectors and collecting
  • Art, Italian
  • Art
Label
The evolution of English collecting : receptions of Italian art in the Tudor and Stuart periods, edited and introduced by Edward Chaney
Instantiates
Publication
Note
"Published for the Paul Mellon Centre for Studies in British Art, the Yale Center for British Art."
Bibliography note
Includes bibliographical references and index
Contents
The Italianate Evolution of English Collecting / Edward Chaney -- The Collecting and Patronage of John, Lord Lumley (c.1535-1609) / Kathryn Barron -- Collecting and Religion in Late Sixteenth-Century England / Richard L. Williams -- The Early Cecils and Italianate Taste / Susan Bracken -- A Question of Judgement: Lucy Harington, Countess of Bedford, as Art Patron and Collector / Karen Hearn -- The Ambassador as Art Agent: Sir Dudley Carleton and Jacobean Collecting / Robert Hill -- Thomas Howard, the Collector Earl of Arundel and Leonardo's Drawings / Jane Roberts -- The Countess of Arundel and Tart Hall / Elizabeth V. Chew -- Italian Paintings in the Buckingham Collection / Philip McEvansoneya -- Richard Symonds and Thomas Isham as Collectors of Prints in Seventeenth-Century Italy / Anne Brookes -- The Aldrich Prints: A Late Seventeenth-Century Collection, its Sources and Arrangement / Christopher Baker -- The Duke of Marlborough as a Collector and Patron of Sculpture / Charles Avery
Control code
FIEb17650203
Dimensions
  • 27 cm.
  • 26 cm.
Extent
  • vii, 484 p.
  • 320 p.
Isbn
9780300102246
Other physical details
  • ill.
  • ill.
System control number
(OCoLC)59310732
Label
The evolution of English collecting : receptions of Italian art in the Tudor and Stuart periods, edited and introduced by Edward Chaney
Publication
Note
"Published for the Paul Mellon Centre for Studies in British Art, the Yale Center for British Art."
Bibliography note
Includes bibliographical references and index
Contents
The Italianate Evolution of English Collecting / Edward Chaney -- The Collecting and Patronage of John, Lord Lumley (c.1535-1609) / Kathryn Barron -- Collecting and Religion in Late Sixteenth-Century England / Richard L. Williams -- The Early Cecils and Italianate Taste / Susan Bracken -- A Question of Judgement: Lucy Harington, Countess of Bedford, as Art Patron and Collector / Karen Hearn -- The Ambassador as Art Agent: Sir Dudley Carleton and Jacobean Collecting / Robert Hill -- Thomas Howard, the Collector Earl of Arundel and Leonardo's Drawings / Jane Roberts -- The Countess of Arundel and Tart Hall / Elizabeth V. Chew -- Italian Paintings in the Buckingham Collection / Philip McEvansoneya -- Richard Symonds and Thomas Isham as Collectors of Prints in Seventeenth-Century Italy / Anne Brookes -- The Aldrich Prints: A Late Seventeenth-Century Collection, its Sources and Arrangement / Christopher Baker -- The Duke of Marlborough as a Collector and Patron of Sculpture / Charles Avery
Control code
FIEb17650203
Dimensions
  • 27 cm.
  • 26 cm.
Extent
  • vii, 484 p.
  • 320 p.
Isbn
9780300102246
Other physical details
  • ill.
  • ill.
System control number
(OCoLC)59310732

Subject

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