European University Institute Library

Freedom to fail, Heidegger's anarchy, Peter Trawny ; translated by Ian Alexander Moore and Christopher Turner

Label
Freedom to fail, Heidegger's anarchy, Peter Trawny ; translated by Ian Alexander Moore and Christopher Turner
Language
eng
Bibliography note
Includes bibliographical references
Index
no index present
Literary Form
non fiction
Main title
Freedom to fail
Nature of contents
bibliography
Oclc number
932797676
Responsibility statement
Peter Trawny ; translated by Ian Alexander Moore and Christopher Turner
Sub title
Heidegger's anarchy
Summary
Martin Heidegger is widely regarded as one of the most influential philosophers of the twentieth-century, and his seminal text 'Being and Time' is considered one of the most significant texts in contemporary philosophy. Yet his name has also been mired in controversy because of his affiliations with the Nazi regime, his failure to criticize its genocidal politics and his subsequent silence about the holocaust. Now, according to Heidegger's wishes, and to complete the publication of his multi-volume 'Complete Works', his highly controversial and secret 'Black Notebooks' have been released to the public. These notebooks reveal the extent to which Heidegger's 'personal Nazism' was neither incidental nor opportunistic, but part of his philosophical ethos. So, why would Heidegger, far from destroying them, allow these notebooks, which contain examples of this extreme thinking, to be published? In this revealing new book, Peter Trawny, editor of Heidegger's complete works in German, confronts these questions and, by way of a compelling study of his theoretical work, shows that Heidegger was committed to a conception of freedom that is only beholden to the judgement of the history of being; that is, that to be free means to be free from the prejudices, norms, or mores of one's time. Whoever thinks the truth of being freely exposes themselves to the danger of epochal errancy. For this reason, Heidegger's decision to publish his notebooks, including their anti-Jewish passages, was an exercise of this anarchical freedom. In the course of a wide-ranging discussion of Heidegger's views on truth, ethics, the truth of being, tragedy and his relationship to other figures such as Nietzsche and Schmitt, Trawny provides a compelling argument for why Heidegger wanted the explosive material in his 'Black Notebooks' to be published, whilst also offering an original and provocative interpretation of Heidegger's work.--, Provided by publisher
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