Bibliograph

Au nom de l'art, 1933-1945, exils, solidarités et engagements, Limore Yagil

Type

Label

Au nom de l'art, 1933-1945, exils, solidarités et engagements, Limore Yagil

Language

fre

Bibliography note

Includes bibliographical references (pages 535-560) and index

Index

index present

Literary Form

non fiction

Main title

Au nom de l'art, 1933-1945

Nature of contents

bibliography

Oclc number

904983892

Responsibility statement

Limore Yagil

Sub title

exils, solidarités et engagements

Summary

Even before the First World War, Paris attracted artists from throughout Europe: Russian, Polish, Hungarian, Czech, or German artists, who came to study at the Academies of painting or of music. Several waves of migration brought Jewish artists who were fleeing persecution, and these artists formed networks of friendship with French artists in Paris: channels that operated during the Occupation and the Vichy regime to protect the victims of that regime. The intervention by Sacha Guitry and Arletty on behalf of Tristan Bernard is well known, but Limore Yagil reveals many others as well. At the intersection of cultural and political history, Yagil traces these networks of solidarity from their origins, reconstructing a geography of mutual cooperation, and investigating the significance that should be given to these acts of civil disobedience

Table Of Contents

Paris, capitale artistique, 1918-1939 -- Le contrôle du champ artistique sous l'Occupation -- Les peintres dans le Paris occupé -- Peintres et sculpteurs en zone libre, 1940-1944 -- Le théâtre sous l'Occupation -- Le cinéma sous l'Occupation -- Musiciens et musique en France, 1918-1945 -- L'Opéra de Paris sous l'Occupation -- Les music halls, les cabarets, la chanson et le jazz sous l'Occupation -- Le refuge americain -- D'autres lieux d'exil: l'exemple de la Suisse et de la Palestine

Classification