- Interactional Approach to Cinematic Discourse, How Do Woody Allen's Characters Talk?, by Neda Chepinchikj
- Hollywood, un rêve européen, Jean-Loup Bourget
- How movies work, Bruce F. Kawin
- The memory of Tiresias, intertextuality and film, Mikhail Iampolski ; translated by Harsha Ram
- Captioning for Children, Historical and Empirical Perspectives, by Nathalie Mälzer, Maria Wünsche, Saskia J. Schulz
- The Forgotten Victims of Sexual Violence in Film, Television and New Media, Turning to the Margins, edited by Stephanie Patrick, Mythili Rajiva
- Lesbian, Gay, and Transgender Athletes in Latin America, edited by Joaquín Piedra, Eric Anderson
- The new film history, sources, methods, approaches, edited by James Chapman, Mark Glancy and Sue Harper
- Cinéma et assurance, [directeur de la rédaction : Jean-Hervé Lorenzi]
- World cinema, critical approaches, edited by John Hill and Pamela Church Gibson ; consultant editors: Richard Dyer, E. Ann Kaplan, Paul Willemen
- Transnational German Cinema, Encountering Germany Through Film and Events, edited by Irina Herrschner, Kirsten Stevens, Benjamin Nickl
- Urban Crime Control in Cinema, Fallen Guardians and the Ideology of Repression, by Vladimir Rizov
- Cinematic Histospheres, On the Theory and Practice of Historical Films, by Rasmus Greiner
- The Palgrave Handbook of Audiovisual Translation and Media Accessibility, edited by Łukasz Bogucki, Mikołaj Deckert
- Closely watched films, an introduction to the art of narrative film technique, Marilyn Fabe
- Memory politics in contemporary Russia, television, cinema and the state, by Mariëlle Wijermars
- Utopias in Nonfiction Film, by Simon Spiegel
- Using film as a source, Sian Barber
- Glossary of filmographic terms 1989, Jon Gartenberg
- Cultural Representations of Gender Vulnerability and Resistance, A Mediterranean Approach to the Anglosphere, edited by Maria Isabel Romero-Ruiz, Pilar Cuder-Domínguez
- Fixe/animé, croisements de la photographie et du cinéma au XXe siècle, sous la direction de Laurent Guido et Olivier Lugon
- Revisiting the Toolbox of Discourse Studies, New Trajectories in Methodology, Open Data, and Visualization, by Markus Rheindorf
- When Music Takes Over in Film, edited by Anna K. Windisch, Claus Tieber, Phil Powrie
- Fields of vision, essays in film studies, visual anthropology, and photography, edited by Leslie Devereaux and Roger Hillman
- "Beyond the Wall", Game of Thrones aus interdisziplinärer Perspektive, herausgegeben von Anna Gamper, Thomas Müller
- Law and Culture, Reconceptualization and Case Studies, edited by Mateusz Stępień, Jan Bazyli Klakla
- Dialogue Writing for Dubbing, An Insider's Perspective, by Giselle Spiteri Miggiani
- Conflict or cooperation in European film and television?, proceedings of the third plenary meeting of the European Film and Television Forum
- The Novel as Network, Forms, Ideas, Commodities, edited by Tim Lanzendörfer, Corinna Norrick-Rühl
- Audiovisual Tourism Promotion, A Critical Overview, edited by Diego Bonelli, Alfio Leotta
- A Relevance-Theoretic Approach to Decision-Making in Subtitling, by Łukasz Bogucki
- Pure Fatherhood and the Hollywood Family Film, by Denise McNulty Norton
- An Anthropology of Gender Variance and Trans Experience in Naples, Beauty in Transit, by Marzia Mauriello
- The "I" of the camera, essays in film criticism, history, and aesthetics, William Rothman
- Contemporary German-Chinese Cultures in Dialogue, edited by Haina Jin, Anna Stecher, Rebecca Ehrenwirth
- Cinema and experience, Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno, Miriam Bratu Hansen
- Post-Digital, Post-Internet Art and Education, The Future is All-Over, edited by Kevin Tavin, Gila Kolb, Juuso Tervo
- L'économie du cinéma, repères et ressources documentaires, Valérie Bonin
- Streaming, sharing, stealing, big data and the future of entertainment, Michael D. Smith and Rahul Telang
- What is cinema?, by André Bazin ; foreword by Jean Renoir ; new forword by Dudley Andrew ; essays selected and translated by Hugh Gray
- Contemporary Jewish Reality in Germany and Its Reflection in Film, Claudia Simone Dorchain, Felice Naomi Wonnenberg
- Paradoxical Right-Wing Sexual Politics in Europe, edited by Cornelia Möser, Jennifer Ramme, Judit Takács
- The Audiovisual Chord, Embodied Listening in Film, by Martine Huvenne
- Between still and moving images, edited by Laurent Guido and Olivier Lugon
- Memory, Forgetting and the Moving Image, by Caterina Albano
- Italian cinema, Mary P. Wood
- Plague Image and Imagination from Medieval to Modern Times, edited by Christos Lynteris
- Serial Killing on Screen, Adaptation, True Crime and Popular Culture, edited by Sarah E. Fanning, Claire O'Callaghan
- Discourses of Migration in Documentary Film, Translating the Real to the Reel, by Alexandra J. Sanchez
- Hitchcock on Hitchcock, selected writings and interviews, edited by Sidney Gottlieb