European University Institute Library

The Gamin de Paris in Nineteenth-Century Visual Culture, Delacroix, Hugo, and the French Social Imaginary, Marilyn R. Brown

Label
The Gamin de Paris in Nineteenth-Century Visual Culture, Delacroix, Hugo, and the French Social Imaginary, Marilyn R. Brown
Language
eng
Bibliography note
Includes bibliographical references and index
Illustrations
platesillustrations
Index
index present
Literary Form
non fiction
Main title
The Gamin de Paris in Nineteenth-Century Visual Culture
Medium
electronic resource
Nature of contents
bibliographydictionaries
Oclc number
987048124
Responsibility statement
Marilyn R. Brown
Series statement
Routledge research in art history, 1Taylor & Francis eBooks
Sub title
Delacroix, Hugo, and the French Social Imaginary
Summary
The revolutionary boy at the barricades was memorably envisioned in Eugène Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Misérables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father's symbolic role, and the intensification of the brotherly urchin's psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation
Table Of Contents
Cover; Title; Copyright; Dedication; Contents; Illustrations; Acknowledgments; Introduction; 1 Revolutionary Ancestors of the Gamin de Paris; 2 Child of the People and Child of the Fatherland in Nineteenth-Century French Social History; 3 Child of the People and Child of the Fatherland in the French Social Imaginary; 4 The Gamin de Paris and the Revolution of 1830; 5 The Gamin de Paris in Panoramic Literature and in the Revolutions of 1848; 6 The Gamin de Paris, the Second Empire, and the Commune; 7 The Gamin de Paris During the Early Third Republic; Epilogue; Bibliography; Index
Content
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