European University Institute Library

The global sixties in sound and vision, media, counterculture, revolt, edited by Timothy Scott Brown and Andrew Lison

eng

Includes bibliographical references and index

index present

non fiction

The global sixties in sound and vision

bibliography

861966367

edited by Timothy Scott Brown and Andrew Lison

media, counterculture, revolt

Despite the explosion of scholarly interest in the "global 1968" phenomenon, the seminal influence of the arts - in both their popular and avant-garde iterations - has too often been neglected. Student activism in the space of the university and the street made up only a part of the broad anti-authoritarian eruption of 1968, and not even necessarily the most important one. Arguably more fundamental was a broad democratization of cultural production in which avant-garde artists and youthful appropriators alike played a leading role. Cultural forms such as art, "happenings, " fashion, comics, movies, and music were critically important to the new youth sensibility and its dissemination within society more broadly. Popular music and visual culture were among the most important of these categories, opening up new vistas of emancipatory possibility and fueling the development of new stylistic codes. This wide-ranging, interdisciplinary collection brings together scholars in history, film and media studies, cultural studies, art history, music and other disciplines to consider the symbiosis of the sonic and the visual that so powerfully shaped sixties counterculture.--, Provided by Publisher