European University Institute Library

An Economic Approach to the Plagiarism of Music, by Samuel Cameron

Label
An Economic Approach to the Plagiarism of Music, by Samuel Cameron
Language
eng
resource.imageBitDepth
0
Literary Form
non fiction
Main title
An Economic Approach to the Plagiarism of Music
Medium
electronic resource
Nature of contents
dictionaries
Oclc number
1180197567
Responsibility statement
by Samuel Cameron
Series statement
Cultural Economics & the Creative Economy,, 2662-4478Springer eBooks.
Summary
This book is an economic analysis of plagiarism in music, focusing on social efficiency and questions of inequity in the revenue of authors/artists. The organisation into central chapters on the traditional literary aspect of composition and the technocratic problem of ‘sampling’ will help clarify disputes about social efficiency and equity. It will also be extremely helpful as an expository method where the text is used in courses on the music business. These issues have been explored to a great extent in other areas of musical content—notably piracy, copying and streaming. Therefore it is extremely helpful to exclude consumer use of musical content from the discussion to focus solely on the production side. This book also looks at the policy options in terms of the welfare economics of policy analysis.--, Provided by publisher
Table Of Contents
Chapter 1. What is Plagiarism and What is Musical Plagiarism? -- Chapter 2. Plagiarism the Old Fashioned Way: Steal from a Composition -- Chapter 3. Sampling, Samples and Library Music -- Chapter 4. Policy Issues -- Appendix
Content
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