European University Institute Library

Socialist senses, film, feeling, and the Soviet subject, 1917-1940, Emma Widdis

eng

Includes bibliographical references and index

government publication of a state province territory dependency etc

illustrations

index present

non fiction

Socialist senses

bibliography

962435303

Emma Widdis

film, feeling, and the Soviet subject, 1917-1940

In a major reimagining of the history and cultural impact of Soviet film, noted film scholar Emma Widdis explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a "sensory revolution" to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution as film could both discover the world anew and model a way of inhabiting it. Drawing on an extraordinary array of films, Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject. --, Provided by publisher

Introduction: feeling Soviet -- Avant-garde sensations -- Material sensations -- Textile sensations -- Socialist sensations -- Primitive sensations -- Modern sensations -- Socialist feelings -- Socialist transformations -- Socialist pleasures -- Conclusion: the death of sensation