European University Institute Library

The Caribbean Oral Tradition, Literature, Performance, and Practice, edited by Hanétha Vété-Congolo

eng

0

non fiction

The Caribbean Oral Tradition

electronic resource

dictionaries

1002810784

edited by Hanétha Vété-Congolo

Springer eBooks.

Literature, Performance, and Practice

The book uses an innovative prism of interorality that powerfully reevaluates Caribbean orality and innovatively casts light on its overlooked and fundamental epistemological contribution into the formation of Caribbean philosophy. It defines the innovative prism of interorality as the systematic transposition of previously composed storytales into new and distinct tales. The book offers a powerful consideration of the interconnections between Caribbean orality and Caribbean philosophy, especially as this pertains to aesthetics and ethics. This is a new area of thought, a new methodological approach and a new conceptual paradigm and proposition to scholars, students, writers, artists and intellectuals who conceive and examine intellectual and cultural productaions in the Black Atlantic world and beyond.--, Provided by publisher

Introduction Hanétha Vété-Congolo -- Foreword Olufemi Vaughan -- Preface Connected by Narratives: Thinking as Creation and Resistance Jean Godefroy Bidima -- Caribbean Interorality: A Brief Introduction Hanétha Vété-Congolo -- Interorality and Caribbean Philosophy Paget Henry.-.Crossing Spirits, Negotiating Cultures: Transmigration, Transculturation, and Interorality in Cuban Espiritismo Solimar Otero -- Orality and the Slave Sublime John Drabinski -- Utterance, Against Orality, Beyond Textuality Michael Birenbaum -- Boukman in Books: Tracing a Legendary Genealogy Paul Miller -- Afterword Gordon Lewis