European University Institute Library

Contamination and purity in early modern art and architecture, edited by Lauren Jacobi and Daniel M. Zolli

Label
Contamination and purity in early modern art and architecture, edited by Lauren Jacobi and Daniel M. Zolli
Language
eng
Index
index present
Literary Form
non fiction
Main title
Contamination and purity in early modern art and architecture
Medium
electronic resource
Nature of contents
dictionaries
Oclc number
1245665799
Responsibility statement
edited by Lauren Jacobi and Daniel M. Zolli
Series statement
Visual and material culture, 1300-1700Cambridge Social Sciences eBooks
Summary
The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated - distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence - took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo's unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history.--, Provided by publisher
Content
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