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The Resource Wagner's musical prose : texts and contexts, Thomas S. Grey, (electronic resource)

Wagner's musical prose : texts and contexts, Thomas S. Grey, (electronic resource)

Work
Publication
Extent
1 online resource (xix, 397 pages)
Contents
  • Beethoven's "poetic ideas": notes on the genesis of a critical tradition
  • Poetics, heroics, funérailles
  • Fear of the Fifth: the uncanniness of instrumental speech
  • Beethoven's "sketches" (poetic intentions and musical consequences)
  • 3.
  • Engendering music drama: Opera and Drama and its metaphors:
  • Metaphors of gender, and others;
  • Natural sciences: reproductive biology and a theory of "evolution";
  • Music mastered, poetic reason (nearly) seduced: allegory and antithesis
  • 4.
  • 1.
  • The "poetic-musical period" and the "evolution" of Wagnerian form:
  • Periode and Entwicklung
  • "Evolving" period-complexes and Wagner's evolution: three dialogues
  • 5.
  • Endless melodies:
  • Wagner and his critics around 1860 (Wagner's melody--all or none?) ;
  • Wagner and the problematics of "absolute music" in the nineteenth century:
  • Ideas of absolute music
  • Questions of autonomy
  • Content and/or/as form
  • Absolute music and "ideas: a new determinacy?
  • 2.
  • Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms:
  • Dénouements (motivic threads, dramatic plots, musical knots and resolutions)
  • Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama)
  • Melody as form
  • 6.
  • Motives and motivations: leitmotif and "symphonic" drama:
  • Warum? (motives to musical form)
  • The birth of the music drama from the "labor-pains of program music"
  • Motif, motive, Motiv: dramatic motivations and "symphonic form"
  • Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama"
Link
https://eui.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.07650
Instance
Label
Wagner's musical prose : texts and contexts
Title
Wagner's musical prose
Title remainder
texts and contexts
Statement of responsibility
Thomas S. Grey
Creator
Subject
Language
eng
Member of
Cataloging source
NyNyACL
http://library.link/vocab/creatorName
Grey, Thomas S
Illustrations
music
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
  • ACLS Humanities E-Book
  • New perspectives in music history and criticism
http://library.link/vocab/subjectName
  • Wagner, Richard
  • Wagner, Richard
  • Wagner, Richard
  • Music
  • Musical criticism
  • Opera
Label
Wagner's musical prose : texts and contexts, Thomas S. Grey, (electronic resource)
Link
https://eui.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.07650
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (p. 380-390) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Beethoven's "poetic ideas": notes on the genesis of a critical tradition
  • Poetics, heroics, funérailles
  • Fear of the Fifth: the uncanniness of instrumental speech
  • Beethoven's "sketches" (poetic intentions and musical consequences)
  • 3.
  • Engendering music drama: Opera and Drama and its metaphors:
  • Metaphors of gender, and others;
  • Natural sciences: reproductive biology and a theory of "evolution";
  • Music mastered, poetic reason (nearly) seduced: allegory and antithesis
  • 4.
  • 1.
  • The "poetic-musical period" and the "evolution" of Wagnerian form:
  • Periode and Entwicklung
  • "Evolving" period-complexes and Wagner's evolution: three dialogues
  • 5.
  • Endless melodies:
  • Wagner and his critics around 1860 (Wagner's melody--all or none?) ;
  • Wagner and the problematics of "absolute music" in the nineteenth century:
  • Ideas of absolute music
  • Questions of autonomy
  • Content and/or/as form
  • Absolute music and "ideas: a new determinacy?
  • 2.
  • Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms:
  • Dénouements (motivic threads, dramatic plots, musical knots and resolutions)
  • Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama)
  • Melody as form
  • 6.
  • Motives and motivations: leitmotif and "symphonic" drama:
  • Warum? (motives to musical form)
  • The birth of the music drama from the "labor-pains of program music"
  • Motif, motive, Motiv: dramatic motivations and "symphonic form"
  • Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama"
Control code
KOHA0000000000000000002781
Dimensions
24 cm.
Dimensions
unknown
Extent
1 online resource (xix, 397 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
music
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (dli)HEB07650
  • (OCoLC)936552003
Label
Wagner's musical prose : texts and contexts, Thomas S. Grey, (electronic resource)
Link
https://eui.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.07650
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references (p. 380-390) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Beethoven's "poetic ideas": notes on the genesis of a critical tradition
  • Poetics, heroics, funérailles
  • Fear of the Fifth: the uncanniness of instrumental speech
  • Beethoven's "sketches" (poetic intentions and musical consequences)
  • 3.
  • Engendering music drama: Opera and Drama and its metaphors:
  • Metaphors of gender, and others;
  • Natural sciences: reproductive biology and a theory of "evolution";
  • Music mastered, poetic reason (nearly) seduced: allegory and antithesis
  • 4.
  • 1.
  • The "poetic-musical period" and the "evolution" of Wagnerian form:
  • Periode and Entwicklung
  • "Evolving" period-complexes and Wagner's evolution: three dialogues
  • 5.
  • Endless melodies:
  • Wagner and his critics around 1860 (Wagner's melody--all or none?) ;
  • Wagner and the problematics of "absolute music" in the nineteenth century:
  • Ideas of absolute music
  • Questions of autonomy
  • Content and/or/as form
  • Absolute music and "ideas: a new determinacy?
  • 2.
  • Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms:
  • Dénouements (motivic threads, dramatic plots, musical knots and resolutions)
  • Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama)
  • Melody as form
  • 6.
  • Motives and motivations: leitmotif and "symphonic" drama:
  • Warum? (motives to musical form)
  • The birth of the music drama from the "labor-pains of program music"
  • Motif, motive, Motiv: dramatic motivations and "symphonic form"
  • Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama"
Control code
KOHA0000000000000000002781
Dimensions
24 cm.
Dimensions
unknown
Extent
1 online resource (xix, 397 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
music
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (dli)HEB07650
  • (OCoLC)936552003

Subject

Member of

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