Coverart for item
The Resource Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel

Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel

Label
Turkish German cinema in the new millennium : sites, sounds, and screens
Title
Turkish German cinema in the new millennium
Title remainder
sites, sounds, and screens
Statement of responsibility
edited by Sabine Hake and Barbara Mennel
Creator
Contributor
Editor
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1956-
http://library.link/vocab/creatorName
Hake, Sabine
Dewey number
791.4309430905
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • bibliography
  • filmographies
http://library.link/vocab/relatedWorkOrContributorName
Mennel, Barbara Caroline
Series statement
Film Europa: German cinema in an international context
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion pictures, Turkish
  • Foreign language films
  • Stereotypes (Social psychology) in motion pictures
  • Culture in motion pictures
  • Motion pictures and transnationalism
  • Motion picture audiences
Label
Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel
Instantiates
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent.
Contents
Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore
Control code
FIEb17202085
Dimensions
24 cm.
Edition
First edition.
Extent
viii, 251 pages
Isbn
9780857457691
Media category
unmediated
Media MARC source
rdamedia.
Media type code
  • n
Other physical details
illustrations
System control number
(OCoLC)785874501
Label
Turkish German cinema in the new millennium : sites, sounds, and screens, edited by Sabine Hake and Barbara Mennel
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent.
Contents
Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore
Control code
FIEb17202085
Dimensions
24 cm.
Edition
First edition.
Extent
viii, 251 pages
Isbn
9780857457691
Media category
unmediated
Media MARC source
rdamedia.
Media type code
  • n
Other physical details
illustrations
System control number
(OCoLC)785874501

Library Locations

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      Via dei Roccettini 9, San Domenico di Fiesole, 50014, IT
      43.803074 11.283055
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