Coverart for item
The Resource Transnational encounters : music and performance at the U.S.-Mexico border, edited by Alejandro L. Madrid, (electronic resource)

Transnational encounters : music and performance at the U.S.-Mexico border, edited by Alejandro L. Madrid, (electronic resource)

Label
Transnational encounters : music and performance at the U.S.-Mexico border
Title
Transnational encounters
Title remainder
music and performance at the U.S.-Mexico border
Statement of responsibility
edited by Alejandro L. Madrid
Contributor
Subject
Language
eng
Member of
Cataloging source
NyNyACL
Illustrations
  • illustrations
  • maps
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Madrid, Alejandro L
Series statement
ACLS Humanities E-Book
http://library.link/vocab/subjectName
  • Folk music
  • Music
  • Popular music
Label
Transnational encounters : music and performance at the U.S.-Mexico border, edited by Alejandro L. Madrid, (electronic resource)
Link
http://ezproxy.eui.eu/login?url=http://hdl.handle.net/2027/heb.31460
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Mariachi reimaginings: encounters with technology, aesthetics, and identity
  • Donald Henriques
  • "This is our música, guy!": Tejanos and ethno/regional musical nationalism
  • José E. Limón
  • Indigeneity and Modernity.
  • Re-localized rap and its representation of the hombre digno
  • Helena Simonett
  • Waila as transnational practice
  • Joan Titus
  • Cultural citizenship and rights.
  • Border meanings.
  • Transnational identity, the signing of spirituals, and the performance of blackness among Moscogos
  • Alejandro L. Madrid
  • Transnational cultural constructions: Cumbia music and the making of locality in Monterrey
  • Jesus A. Ramos-Kittrell
  • Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival
  • Margaret E. Dorsey and Miguel Díaz-Barriga
  • Trans-border cosmopolitan audiotapes.
  • The Tijuana sound: brass, blues and the border of the 1960s
  • Josh Kun
  • La avanzada regia: Monterrey's alternative music scene and the aesthetics of transnationalism
  • Reggae on the border: the possibilities of a Frontera soundscape
  • Ignacio Corona
  • Contested identities.
  • New Mexico and 'Manitos at the borderlands of popular music in Greater Mexico
  • Brenda M. Romero
  • "Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene
  • Lillian Gorman
  • Performing locality and gender.
  • From pistol-packing pelado to border crossing mojado: El Piporro and the making of a "Mexican" border space
  • Cathy Ragland
  • Dancing Reggaetón with cowboy boots
  • Luis Alvarez
  • Ramón H. Rivera-Servera
  • Breaking borders/quebrando fronteras: dancing in the borderscape
  • Sydney Hutchinson
  • Narcocorridos: narratives of a cultural persona and power on the border
  • Mark C. Edberg
  • Nationalisms.
Control code
MIU01000000000000012918303
Dimensions
24 cm.
Dimensions
unknown
Extent
1 online resource (xvi, 406 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
illustrations, maps
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (dli)HEB31460
  • (OCoLC)767671062
Label
Transnational encounters : music and performance at the U.S.-Mexico border, edited by Alejandro L. Madrid, (electronic resource)
Link
http://ezproxy.eui.eu/login?url=http://hdl.handle.net/2027/heb.31460
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Mariachi reimaginings: encounters with technology, aesthetics, and identity
  • Donald Henriques
  • "This is our música, guy!": Tejanos and ethno/regional musical nationalism
  • José E. Limón
  • Indigeneity and Modernity.
  • Re-localized rap and its representation of the hombre digno
  • Helena Simonett
  • Waila as transnational practice
  • Joan Titus
  • Cultural citizenship and rights.
  • Border meanings.
  • Transnational identity, the signing of spirituals, and the performance of blackness among Moscogos
  • Alejandro L. Madrid
  • Transnational cultural constructions: Cumbia music and the making of locality in Monterrey
  • Jesus A. Ramos-Kittrell
  • Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival
  • Margaret E. Dorsey and Miguel Díaz-Barriga
  • Trans-border cosmopolitan audiotapes.
  • The Tijuana sound: brass, blues and the border of the 1960s
  • Josh Kun
  • La avanzada regia: Monterrey's alternative music scene and the aesthetics of transnationalism
  • Reggae on the border: the possibilities of a Frontera soundscape
  • Ignacio Corona
  • Contested identities.
  • New Mexico and 'Manitos at the borderlands of popular music in Greater Mexico
  • Brenda M. Romero
  • "Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene
  • Lillian Gorman
  • Performing locality and gender.
  • From pistol-packing pelado to border crossing mojado: El Piporro and the making of a "Mexican" border space
  • Cathy Ragland
  • Dancing Reggaetón with cowboy boots
  • Luis Alvarez
  • Ramón H. Rivera-Servera
  • Breaking borders/quebrando fronteras: dancing in the borderscape
  • Sydney Hutchinson
  • Narcocorridos: narratives of a cultural persona and power on the border
  • Mark C. Edberg
  • Nationalisms.
Control code
MIU01000000000000012918303
Dimensions
24 cm.
Dimensions
unknown
Extent
1 online resource (xvi, 406 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
illustrations, maps
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (dli)HEB31460
  • (OCoLC)767671062

Library Locations

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