The Resource Transformations of time and temporality in Medieval and Renaissance art, by Simona Cohen
Transformations of time and temporality in Medieval and Renaissance art, by Simona Cohen
Resource Information
The item Transformations of time and temporality in Medieval and Renaissance art, by Simona Cohen represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in European University Institute Library.This item is available to borrow from 1 library branch.
Resource Information
The item Transformations of time and temporality in Medieval and Renaissance art, by Simona Cohen represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in European University Institute Library.
This item is available to borrow from 1 library branch.
- Summary
- A multifaceted picture of the dynamic concepts of time and temporality is demonstrated in medieval and Renaissance art, as adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. Questions regarding perception of time are investigated through innovative aspects of Renaissance iconography
- Language
- eng
- Extent
- xx, 356 pages, 16 leaves of plates
- Contents
-
- Introduction
- Part one: Sources and prototypes of the renaissance iconography of time
- Concepts of time in classical philosophy
- Classical personifications of time
- Early Christian and medieval concepts of time
- Time and temporality in medieval art
- The Romanesque zodiac: its symbolic function on the church facade
- Part two: Changing concepts of time in the renaissance
- Introduction: Changing concepts of time in the renaissance
- The renaissance personification of time in illustrations to Petrarch's Trionfo del Tempo
- Time, virtuousness and wisdom in Giorgione's Castelfranco fresco
- Kairos/Occasio - Vicissitudes of propitious time from antiquity to the renaissance
- Veritas filia temporis: time in Cinquecento propoganda
- Epilogue
- Isbn
- 9789004267855
- Label
- Transformations of time and temporality in Medieval and Renaissance art
- Title
- Transformations of time and temporality in Medieval and Renaissance art
- Statement of responsibility
- by Simona Cohen
- Language
- eng
- Summary
- A multifaceted picture of the dynamic concepts of time and temporality is demonstrated in medieval and Renaissance art, as adopted in speculative, ecclesiastical, socio-political, propagandist, moralistic, and poetic contexts. Questions regarding perception of time are investigated through innovative aspects of Renaissance iconography
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- Cohen, Simona
- Illustrations
-
- illustrations
- plates
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
-
- Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history
- Brill's Studies on Art, Art History, and Intellectual History ; Volume 6
- Series volume
- Volume 228.
- http://library.link/vocab/subjectName
-
- Time in art
- Time
- Time perception
- Art, Medieval
- Art, Renaissance
- Label
- Transformations of time and temporality in Medieval and Renaissance art, by Simona Cohen
- Bibliography note
- Includes bibliographical references (pages 339-351) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier.
- Content category
-
- text
- still image
- Content type code
-
- txt
- sti
- Content type MARC source
-
- rdacontent.
- rdacontent.
- Contents
- Introduction -- Part one: Sources and prototypes of the renaissance iconography of time -- Concepts of time in classical philosophy -- Classical personifications of time -- Early Christian and medieval concepts of time -- Time and temporality in medieval art -- The Romanesque zodiac: its symbolic function on the church facade -- Part two: Changing concepts of time in the renaissance -- Introduction: Changing concepts of time in the renaissance -- The renaissance personification of time in illustrations to Petrarch's Trionfo del Tempo -- Time, virtuousness and wisdom in Giorgione's Castelfranco fresco -- Kairos/Occasio - Vicissitudes of propitious time from antiquity to the renaissance -- Veritas filia temporis: time in Cinquecento propoganda -- Epilogue
- Control code
- FIEb17559844
- Dimensions
- 25 cm.
- Extent
- xx, 356 pages, 16 leaves of plates
- Isbn
- 9789004267855
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Media type code
-
- n
- Other physical details
- illustrations (some color)
- System control number
- (OCoLC)900893027
- Label
- Transformations of time and temporality in Medieval and Renaissance art, by Simona Cohen
- Bibliography note
- Includes bibliographical references (pages 339-351) and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier.
- Content category
-
- text
- still image
- Content type code
-
- txt
- sti
- Content type MARC source
-
- rdacontent.
- rdacontent.
- Contents
- Introduction -- Part one: Sources and prototypes of the renaissance iconography of time -- Concepts of time in classical philosophy -- Classical personifications of time -- Early Christian and medieval concepts of time -- Time and temporality in medieval art -- The Romanesque zodiac: its symbolic function on the church facade -- Part two: Changing concepts of time in the renaissance -- Introduction: Changing concepts of time in the renaissance -- The renaissance personification of time in illustrations to Petrarch's Trionfo del Tempo -- Time, virtuousness and wisdom in Giorgione's Castelfranco fresco -- Kairos/Occasio - Vicissitudes of propitious time from antiquity to the renaissance -- Veritas filia temporis: time in Cinquecento propoganda -- Epilogue
- Control code
- FIEb17559844
- Dimensions
- 25 cm.
- Extent
- xx, 356 pages, 16 leaves of plates
- Isbn
- 9789004267855
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Media type code
-
- n
- Other physical details
- illustrations (some color)
- System control number
- (OCoLC)900893027
Subject
- Art, Renaissance -- Themes, motives
- Time -- Social aspects -- Europe -- History
- Time in art
- Time perception -- Europe -- History
- Art, Medieval -- Themes, motives
Member of
- Brill's studies in intellectual history, Brill's studies on art, art history, and intellectual history, v. 6
- Brill's studies in intellectual history, v. 228
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.eui.eu/portal/Transformations-of-time-and-temporality-in/xazDx6H4Mr8/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.eui.eu/portal/Transformations-of-time-and-temporality-in/xazDx6H4Mr8/">Transformations of time and temporality in Medieval and Renaissance art, by Simona Cohen</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.eui.eu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.eui.eu/">European University Institute Library</a></span></span></span></span></div>
