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The Resource The Future of Music : Towards a Computational Musical Theory of Everything, by Guerino Mazzola, Jason Noer, Yan Pang, Shuhui Yao, Jay Afrisando, Christopher Rochester, William Neace, (electronic resource)

The Future of Music : Towards a Computational Musical Theory of Everything, by Guerino Mazzola, Jason Noer, Yan Pang, Shuhui Yao, Jay Afrisando, Christopher Rochester, William Neace, (electronic resource)

Creator
Author
Contributor
Summary
The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.--
Language
eng
Work
Publication
Edition
1st ed. 2020.
Extent
1 online resource (XV, 242 pages)
Contents
  • Part I Introduction
  • 1 General Introduction
  • 2 Ontology and Oniontology
  • 3 The Basic Functions of Music
  • 4 Historicity in Music
  • 5 Only One Restriction: Quality
  • Part II Technological Tools
  • 6 Software Tools and Hardware Options
  • 7 New Concepts of Musical Instruments
  • 8 Musical Distribution Channels: New Networks
  • 9 Big Science in Music
  • Part III Mathematical Concepts
  • 10 Mathematical Music Theory
  • 11 Serialism: Failure of New Concepts without Musical Impact
  • 12 Mazzola’s Sonata Construction: A Technical Approach and its Limits
  • 13 Imaginary Time
  • 14 Mathematical Gesture Theory
  • 15 Future Theories (Counterpoint etc.)
  • Part IV Cultural Extensions
  • 16 A Critique of the Western Concept of Music
  • 17 Improvisation and the Synthesis Project on the Presto Software
  • 18 Art Making as Research
  • 19 Human and Machine Music
  • 20 Music in the Diversifying Cultures
  • 21 Cultural Theories of Gesture
  • Part V Creative Strategies
  • 22 Recapitulation of Creativity Theory
  • 23 The Specifically Musical Walls Against Creativity
  • 24 Examples of Creative Extensions in Music
  • 25 Performance and Composition
  • 26 Are Aesthetics and Business Antagonists?
  • Part VI COMMUTE
  • 27 ComMute—Towards a Computational Musical Theory of Everything
Isbn
9783030397098
Link
https://eui.idm.oclc.org/login?url=https://doi.org/10.1007/978-3-030-39709-8
Instance
Label
The Future of Music : Towards a Computational Musical Theory of Everything
Title
The Future of Music
Title remainder
Towards a Computational Musical Theory of Everything
Statement of responsibility
by Guerino Mazzola, Jason Noer, Yan Pang, Shuhui Yao, Jay Afrisando, Christopher Rochester, William Neace
Creator
Contributor
Author
Subject
Language
eng
Summary
The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.--
Assigning source
Provided by publisher
http://library.link/vocab/creatorName
Mazzola, Guerino
Image bit depth
0
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Noer, Jason
  • Pang, Yan
  • Yao, Shuhui
  • Afrisando, Jay
  • Rochester, Christopher
  • Neace, William
Series statement
  • Springer eBooks.
  • Springer eBooks.
http://library.link/vocab/subjectName
  • Mathematics
  • Music
  • User interfaces (Computer systems)
  • Application software
  • Performing arts
Label
The Future of Music : Towards a Computational Musical Theory of Everything, by Guerino Mazzola, Jason Noer, Yan Pang, Shuhui Yao, Jay Afrisando, Christopher Rochester, William Neace, (electronic resource)
Link
https://eui.idm.oclc.org/login?url=https://doi.org/10.1007/978-3-030-39709-8
Instantiates
Publication
Antecedent source
mixed
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Part I Introduction -- 1 General Introduction -- 2 Ontology and Oniontology -- 3 The Basic Functions of Music -- 4 Historicity in Music -- 5 Only One Restriction: Quality -- Part II Technological Tools -- 6 Software Tools and Hardware Options -- 7 New Concepts of Musical Instruments -- 8 Musical Distribution Channels: New Networks -- 9 Big Science in Music -- Part III Mathematical Concepts -- 10 Mathematical Music Theory -- 11 Serialism: Failure of New Concepts without Musical Impact -- 12 Mazzola’s Sonata Construction: A Technical Approach and its Limits -- 13 Imaginary Time -- 14 Mathematical Gesture Theory -- 15 Future Theories (Counterpoint etc.) -- Part IV Cultural Extensions -- 16 A Critique of the Western Concept of Music -- 17 Improvisation and the Synthesis Project on the Presto Software -- 18 Art Making as Research -- 19 Human and Machine Music -- 20 Music in the Diversifying Cultures -- 21 Cultural Theories of Gesture -- Part V Creative Strategies -- 22 Recapitulation of Creativity Theory -- 23 The Specifically Musical Walls Against Creativity -- 24 Examples of Creative Extensions in Music -- 25 Performance and Composition -- 26 Are Aesthetics and Business Antagonists? -- Part VI COMMUTE -- 27 ComMute—Towards a Computational Musical Theory of Everything
Control code
978-3-030-39709-8
Dimensions
unknown
Edition
1st ed. 2020.
Extent
1 online resource (XV, 242 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Isbn
9783030397098
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
120 illustrations, 101 illustrations in color.
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
(OCoLC)1147285416
Label
The Future of Music : Towards a Computational Musical Theory of Everything, by Guerino Mazzola, Jason Noer, Yan Pang, Shuhui Yao, Jay Afrisando, Christopher Rochester, William Neace, (electronic resource)
Link
https://eui.idm.oclc.org/login?url=https://doi.org/10.1007/978-3-030-39709-8
Publication
Antecedent source
mixed
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Part I Introduction -- 1 General Introduction -- 2 Ontology and Oniontology -- 3 The Basic Functions of Music -- 4 Historicity in Music -- 5 Only One Restriction: Quality -- Part II Technological Tools -- 6 Software Tools and Hardware Options -- 7 New Concepts of Musical Instruments -- 8 Musical Distribution Channels: New Networks -- 9 Big Science in Music -- Part III Mathematical Concepts -- 10 Mathematical Music Theory -- 11 Serialism: Failure of New Concepts without Musical Impact -- 12 Mazzola’s Sonata Construction: A Technical Approach and its Limits -- 13 Imaginary Time -- 14 Mathematical Gesture Theory -- 15 Future Theories (Counterpoint etc.) -- Part IV Cultural Extensions -- 16 A Critique of the Western Concept of Music -- 17 Improvisation and the Synthesis Project on the Presto Software -- 18 Art Making as Research -- 19 Human and Machine Music -- 20 Music in the Diversifying Cultures -- 21 Cultural Theories of Gesture -- Part V Creative Strategies -- 22 Recapitulation of Creativity Theory -- 23 The Specifically Musical Walls Against Creativity -- 24 Examples of Creative Extensions in Music -- 25 Performance and Composition -- 26 Are Aesthetics and Business Antagonists? -- Part VI COMMUTE -- 27 ComMute—Towards a Computational Musical Theory of Everything
Control code
978-3-030-39709-8
Dimensions
unknown
Edition
1st ed. 2020.
Extent
1 online resource (XV, 242 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Isbn
9783030397098
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
120 illustrations, 101 illustrations in color.
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
(OCoLC)1147285416

Subject

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