Coverart for item
The Resource Rembrandt and the female nude, Eric Jan Sluijter

Rembrandt and the female nude, Eric Jan Sluijter

Label
Rembrandt and the female nude
Title
Rembrandt and the female nude
Statement of responsibility
Eric Jan Sluijter
Creator
Subject
Language
eng
Member of
Cataloging source
IT-FiEUI
http://library.link/vocab/creatorDate
1946-
http://library.link/vocab/creatorName
Sluijter, Eric Jan
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
Series statement
Amsterdam studies in the Dutch golden age
http://library.link/vocab/subjectName
  • Rembrandt Harmenszoon van Rijn
  • Female nude in art
  • Women in art
Label
Rembrandt and the female nude, Eric Jan Sluijter
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 419-430) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • image of Andromeda's plight as metaphor
  • Rembrandt and Andromeda
  • 2.
  • Intermezzo : Rembrandt and the depiction of the passions in the 1620s and 1630s
  • Rembrandt, Huygens, rhetoric, and antiquity
  • Samuel van Hoogstraten and Rembrandt's ligdingen des gemoeds
  • A
  • theatrical analogy
  • Rembrandt, Rubens, antiquity, and the passions : a case study
  • 4.
  • Preface and acknowledgments
  • Susanna and the Elders
  • Susanna in prints of the sixteenth century
  • Susanna in the early seventeenth century
  • Rembrandt's Susanna of 1636
  • Rembrandt's Susanna of 1647
  • Some other Amsterdam Susannas of c.1640-1660 --
  • 1.
  • Introduction
  • Plates
  • 2.
  • Andromeda chained to the rock
  • Andromeda by Hendrick Goltzius and his circle
  • The
  • Playful erotic wit in images and texts
  • Paintings with nudes in private homes
  • 6.
  • Diana and her Nymphs surprised by Actaeon and the discovery of Callisto's pregnancy
  • Diana surprised by Actaeon in the late sixteenth and early seventeenth centuries
  • The
  • discovery of Callisto' Pregnancy in the late sixteenth and early seventeenth centuries
  • Rembrandt's painting of Diana and Her Nymphs
  • Seventeenth-century interpretations of the two fables and Rembrandt's invention
  • 7.
  • 5.
  • Intermezzo : Rembrandt and notions about art: 'coloring' and the 'from life' ideology
  • Arnold Houbraken, Andries Pels, and Jan Emmens
  • Jan de Bisschop and Joost van den Vondel
  • Giorgio Vasari and Karel van Mander
  • Karel van Mander continued
  • From Rome to Holland : debates in the first half of the seventeenth century
  • Joachim von Sandrart --
  • Intermezzo :
  • Images of the nude: moral disapproval and erotic impact
  • Religious outrage
  • Moralizing disapproval
  • Erotic amusement
  • A
  • 'virtual reality'
  • 9.
  • Intermezzo : Imitation, artistic competition, and 'Rapen'
  • Van Mander, Angel, Van Hoogstraten, and Houbraken on the subject of rapen
  • Imitation as part of the learning process and beyond
  • Artistic competition
  • 10.
  • Prints and related drawings : modeling the nude
  • The
  • Diana and the Nude Woman Seated on the Mound
  • Sleeping Woman Approached by a Satyr
  • 8.
  • The
  • Artist drawing from the Nude Model )'Pygmalion") : Apelles Drawing Victory?
  • Cleopatra and Adam and Eve
  • Studies from the nude model, 1646-1661
  • Jupiter and Antiope
  • 11.
  • Intermezzo : The nude, the artist, and the female model
  • The
  • nude and the naked : 'ideal' versus 'real' from Kenneth Clark to the seventeenth century
  • Fictions about the artist and the nude female model
  • Danaë
  • Drawing after the nude female model
  • Rembrandt's models : Hendrickje? --
  • Legendary paintings of Danaë
  • Titian's Danaë of 1545
  • Goltzius's Danaë of 1603
  • Ketel, Wtewael, and Bloemaert
  • Back to Rembrandt's Danaë
  • Rembrandt's contemporaries
  • The
  • biblical Bathsheba
  • Rembrandt's Bathshebas
  • Notes
  • Bibliography
  • Index
  • Illustration credits
  • 12.
  • Bathsheba contemplating King David's letter
  • The
  • pictorial tradition
  • Rembrandt's images of Bathsheba before 1654
  • Some paintings of Bathsheba of the 1640s and 1650s by Rembrandt's colleagues
  • Rembrandt's Bathsheba of 1654
  • Bathsheba, the sense of sight, and the depiction of beauty
Control code
FIEb16125058
Dimensions
27 cm.
Extent
448 pages
Isbn
9789053568378
Media category
unmediated
Media MARC source
rdamedia.
Media type code
n
Other physical details
illustrations (some color)
System control number
(OCoLC)85846136
Label
Rembrandt and the female nude, Eric Jan Sluijter
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 419-430) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • image of Andromeda's plight as metaphor
  • Rembrandt and Andromeda
  • 2.
  • Intermezzo : Rembrandt and the depiction of the passions in the 1620s and 1630s
  • Rembrandt, Huygens, rhetoric, and antiquity
  • Samuel van Hoogstraten and Rembrandt's ligdingen des gemoeds
  • A
  • theatrical analogy
  • Rembrandt, Rubens, antiquity, and the passions : a case study
  • 4.
  • Preface and acknowledgments
  • Susanna and the Elders
  • Susanna in prints of the sixteenth century
  • Susanna in the early seventeenth century
  • Rembrandt's Susanna of 1636
  • Rembrandt's Susanna of 1647
  • Some other Amsterdam Susannas of c.1640-1660 --
  • 1.
  • Introduction
  • Plates
  • 2.
  • Andromeda chained to the rock
  • Andromeda by Hendrick Goltzius and his circle
  • The
  • Playful erotic wit in images and texts
  • Paintings with nudes in private homes
  • 6.
  • Diana and her Nymphs surprised by Actaeon and the discovery of Callisto's pregnancy
  • Diana surprised by Actaeon in the late sixteenth and early seventeenth centuries
  • The
  • discovery of Callisto' Pregnancy in the late sixteenth and early seventeenth centuries
  • Rembrandt's painting of Diana and Her Nymphs
  • Seventeenth-century interpretations of the two fables and Rembrandt's invention
  • 7.
  • 5.
  • Intermezzo : Rembrandt and notions about art: 'coloring' and the 'from life' ideology
  • Arnold Houbraken, Andries Pels, and Jan Emmens
  • Jan de Bisschop and Joost van den Vondel
  • Giorgio Vasari and Karel van Mander
  • Karel van Mander continued
  • From Rome to Holland : debates in the first half of the seventeenth century
  • Joachim von Sandrart --
  • Intermezzo :
  • Images of the nude: moral disapproval and erotic impact
  • Religious outrage
  • Moralizing disapproval
  • Erotic amusement
  • A
  • 'virtual reality'
  • 9.
  • Intermezzo : Imitation, artistic competition, and 'Rapen'
  • Van Mander, Angel, Van Hoogstraten, and Houbraken on the subject of rapen
  • Imitation as part of the learning process and beyond
  • Artistic competition
  • 10.
  • Prints and related drawings : modeling the nude
  • The
  • Diana and the Nude Woman Seated on the Mound
  • Sleeping Woman Approached by a Satyr
  • 8.
  • The
  • Artist drawing from the Nude Model )'Pygmalion") : Apelles Drawing Victory?
  • Cleopatra and Adam and Eve
  • Studies from the nude model, 1646-1661
  • Jupiter and Antiope
  • 11.
  • Intermezzo : The nude, the artist, and the female model
  • The
  • nude and the naked : 'ideal' versus 'real' from Kenneth Clark to the seventeenth century
  • Fictions about the artist and the nude female model
  • Danaë
  • Drawing after the nude female model
  • Rembrandt's models : Hendrickje? --
  • Legendary paintings of Danaë
  • Titian's Danaë of 1545
  • Goltzius's Danaë of 1603
  • Ketel, Wtewael, and Bloemaert
  • Back to Rembrandt's Danaë
  • Rembrandt's contemporaries
  • The
  • biblical Bathsheba
  • Rembrandt's Bathshebas
  • Notes
  • Bibliography
  • Index
  • Illustration credits
  • 12.
  • Bathsheba contemplating King David's letter
  • The
  • pictorial tradition
  • Rembrandt's images of Bathsheba before 1654
  • Some paintings of Bathsheba of the 1640s and 1650s by Rembrandt's colleagues
  • Rembrandt's Bathsheba of 1654
  • Bathsheba, the sense of sight, and the depiction of beauty
Control code
FIEb16125058
Dimensions
27 cm.
Extent
448 pages
Isbn
9789053568378
Media category
unmediated
Media MARC source
rdamedia.
Media type code
n
Other physical details
illustrations (some color)
System control number
(OCoLC)85846136

Library Locations

    • Badia FiesolanaBorrow it
      Via dei Roccettini 9, San Domenico di Fiesole, 50014, IT
      43.803074 11.283055
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