Coverart for item
The Resource Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Sina A. Nitzsche, Mario Dunkel, (electronic resource)

Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Sina A. Nitzsche, Mario Dunkel, (electronic resource)

Label
Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives
Title
Popular Music and Public Diplomacy
Title remainder
Transnational and Transdisciplinary Perspectives
Statement of responsibility
Sina A. Nitzsche, Mario Dunkel
Contributor
Editor
Subject
Language
  • eng
  • eng
Summary
In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.--
Assigning source
Provided by publisher
Cataloging source
DE-B1597
Government publication
other
Language note
In English
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Dunkel, Mario
  • Nitzsche, Sina A.
Series statement
  • Studien zur Popularmusik
  • Open Access e-Books
http://library.link/vocab/subjectName
  • Cultural History
  • Diplomacy
  • History of the 20th Century
  • History
  • International Relations
  • Music
  • Musicology
  • Politics
  • Pop Music
  • Popular Culture
Target audience
specialized
Label
Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Sina A. Nitzsche, Mario Dunkel, (electronic resource)
Link
https://doi.org/10.14361/9783839443583
Instantiates
Publication
Copyright
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The Paradoxes of Cultural and Music Diplomacy in a Federal Country
  • Mazzola, Alessandro
  • Dervish on the Eurovision Stage
  • Şahin, Nevin Ş
  • Part II: Infiltration and Appropriation
  • Between Propaganda and Public Diplomacy
  • Ritter, Rüdiger
  • "Liberated from Serfdom"
  • Feustle, Maristella
  • A Musical Inquisition?
  • Frontmatter
  • Ignácz, Ádám
  • Part III: Education and Promotion
  • Dancing in Chains
  • Bayles, Martha
  • Becoming a Blue-Collar Musical Diplomat
  • Brown, Nicholas Alexander
  • Music Trade in the Slipstream of Cultural Diplomacy
  • Kube, Sven
  • National Flamencoism
  • Díaz, Carlos Sanz / Morales Tamaral, José Manuel
  • Table of Contents
  • Part IV: Representation and Participation
  • The Ethics and Politics of Empathy in US Hip-Hop Diplomacy
  • Salois, Kendra
  • Popular Musicking and the Politics of Spectatorship at the United Nations
  • Ball, James R.
  • From Sons of Gastarbeita to Songs of Gastarbeiter
  • Nieden, Gesa zur
  • Public Diplomacy and Decision-Making in the Eurovision Song Contest
  • Vuletic, Dean
  • List of Contributors
  • Acknowledgements
  • Index
  • Popular Music and Public Diplomacy
  • Dunkel, Mario / Nitzsche, Sina A.
  • Part I: Competition and Collaboration
  • Music in Transnational Transfers and International Competitions
  • Nathaus, Klaus
Control code
9783839443583
Extent
1 online resource
Form of item
online
Isbn
9783839443583
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.14361/9783839443583
Specific material designation
remote
Label
Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives, Sina A. Nitzsche, Mario Dunkel, (electronic resource)
Link
https://doi.org/10.14361/9783839443583
Publication
Copyright
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • The Paradoxes of Cultural and Music Diplomacy in a Federal Country
  • Mazzola, Alessandro
  • Dervish on the Eurovision Stage
  • Şahin, Nevin Ş
  • Part II: Infiltration and Appropriation
  • Between Propaganda and Public Diplomacy
  • Ritter, Rüdiger
  • "Liberated from Serfdom"
  • Feustle, Maristella
  • A Musical Inquisition?
  • Frontmatter
  • Ignácz, Ádám
  • Part III: Education and Promotion
  • Dancing in Chains
  • Bayles, Martha
  • Becoming a Blue-Collar Musical Diplomat
  • Brown, Nicholas Alexander
  • Music Trade in the Slipstream of Cultural Diplomacy
  • Kube, Sven
  • National Flamencoism
  • Díaz, Carlos Sanz / Morales Tamaral, José Manuel
  • Table of Contents
  • Part IV: Representation and Participation
  • The Ethics and Politics of Empathy in US Hip-Hop Diplomacy
  • Salois, Kendra
  • Popular Musicking and the Politics of Spectatorship at the United Nations
  • Ball, James R.
  • From Sons of Gastarbeita to Songs of Gastarbeiter
  • Nieden, Gesa zur
  • Public Diplomacy and Decision-Making in the Eurovision Song Contest
  • Vuletic, Dean
  • List of Contributors
  • Acknowledgements
  • Index
  • Popular Music and Public Diplomacy
  • Dunkel, Mario / Nitzsche, Sina A.
  • Part I: Competition and Collaboration
  • Music in Transnational Transfers and International Competitions
  • Nathaus, Klaus
Control code
9783839443583
Extent
1 online resource
Form of item
online
Isbn
9783839443583
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.14361/9783839443583
Specific material designation
remote

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