The Resource Pliny and the artistic culture of the Italian Renaissance : the legacy of the Natural history, Sarah Blake McHam
Pliny and the artistic culture of the Italian Renaissance : the legacy of the Natural history, Sarah Blake McHam
Resource Information
The item Pliny and the artistic culture of the Italian Renaissance : the legacy of the Natural history, Sarah Blake McHam represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in European University Institute Library.This item is available to borrow from 1 library branch.
Resource Information
The item Pliny and the artistic culture of the Italian Renaissance : the legacy of the Natural history, Sarah Blake McHam represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in European University Institute Library.
This item is available to borrow from 1 library branch.
- Language
- eng
- Extent
- xiii, 450 pages
- Contents
-
- Part I. Introduction.
- The art history of a book on science.
- Part II. Pliny and the 'Natural history'.
- Pliny's career and the scope of the 'Natural history'.
- Pliny on ancient art.
- Part III. Reception of the 'Natural history' in fourteenth-century Italy.
- Petrarch's Pliny.
- Following Petrarch.
- Part IV. The influence of the 'Natural history' in fifteenth-century Italy.
- Collecting, illuminating, and critiquing the 'Natural history' in fifteenth-century Italy.
- Alberti, Ghiberti and the early Florentine response to Pliny.
- Pliny as an inspiration for fifteenth-century humanists, educators, patrons and artists in North Italy.
- Part V. The 'Natural history' in the age of incunables : 1469-1500.
- Pliny in print and in stone.
- Mantegna and Leonardo strive to be a new Apelles.
- Pliny helps spur the development of new subject matters.
- The Plinian signature as a badge of prestige.
- Part VI. Pliny and late fifteenth- and sixteenth-century Italian art.
- Pliny and the formation of art collections in Florence.
- 'Laocoön', or Pliny vindicated.
- Beyond 'Laocoön'.
- Part VII. Pliny and sixteenth-century Italian art theory.
- Pliny's influence on early sixteenth-century theoretical writers.
- Vasari and Pliny as historians of art.
- Pliny's influence on theoretical treatises after Vasari
- Part VIII. Conclusion.
- Pliny's legacy
- Isbn
- 9780300186031
- Label
- Pliny and the artistic culture of the Italian Renaissance : the legacy of the Natural history
- Title
- Pliny and the artistic culture of the Italian Renaissance
- Title remainder
- the legacy of the Natural history
- Statement of responsibility
- Sarah Blake McHam
- Language
- eng
- Cataloging source
- DLC
- http://library.link/vocab/creatorName
- McHam, Sarah Blake
- Illustrations
-
- illustrations
- portraits
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Pliny
- Pliny
- Art, Renaissance
- Aesthetics, Renaissance
- Aesthetics, Italian
- Label
- Pliny and the artistic culture of the Italian Renaissance : the legacy of the Natural history, Sarah Blake McHam
- Bibliography note
- Includes bibliographical references (pages 421-434) and index
- Carrier category
- volume
- Carrier MARC source
- rdacarrier.
- Content category
- text
- Content type MARC source
- rdacontent.
- Contents
- Part I. Introduction. -- The art history of a book on science. -- Part II. Pliny and the 'Natural history'. -- Pliny's career and the scope of the 'Natural history'. -- Pliny on ancient art. -- Part III. Reception of the 'Natural history' in fourteenth-century Italy. -- Petrarch's Pliny. -- Following Petrarch. -- Part IV. The influence of the 'Natural history' in fifteenth-century Italy. -- Collecting, illuminating, and critiquing the 'Natural history' in fifteenth-century Italy. -- Alberti, Ghiberti and the early Florentine response to Pliny. -- Pliny as an inspiration for fifteenth-century humanists, educators, patrons and artists in North Italy. -- Part V. The 'Natural history' in the age of incunables : 1469-1500. -- Pliny in print and in stone. -- Mantegna and Leonardo strive to be a new Apelles. -- Pliny helps spur the development of new subject matters. -- The Plinian signature as a badge of prestige. -- Part VI. Pliny and late fifteenth- and sixteenth-century Italian art. -- Pliny and the formation of art collections in Florence. -- 'Laocoön', or Pliny vindicated. -- Beyond 'Laocoön'. -- Part VII. Pliny and sixteenth-century Italian art theory. -- Pliny's influence on early sixteenth-century theoretical writers. -- Vasari and Pliny as historians of art. -- Pliny's influence on theoretical treatises after Vasari -- Part VIII. Conclusion. -- Pliny's legacy
- Control code
- FIEb17335723
- Dimensions
- 29 cm.
- Extent
- xiii, 450 pages
- Isbn
- 9780300186031
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Other physical details
- illustrations (some color)
- System control number
- (OCoLC)801996485
- Label
- Pliny and the artistic culture of the Italian Renaissance : the legacy of the Natural history, Sarah Blake McHam
- Bibliography note
- Includes bibliographical references (pages 421-434) and index
- Carrier category
- volume
- Carrier MARC source
- rdacarrier.
- Content category
- text
- Content type MARC source
- rdacontent.
- Contents
- Part I. Introduction. -- The art history of a book on science. -- Part II. Pliny and the 'Natural history'. -- Pliny's career and the scope of the 'Natural history'. -- Pliny on ancient art. -- Part III. Reception of the 'Natural history' in fourteenth-century Italy. -- Petrarch's Pliny. -- Following Petrarch. -- Part IV. The influence of the 'Natural history' in fifteenth-century Italy. -- Collecting, illuminating, and critiquing the 'Natural history' in fifteenth-century Italy. -- Alberti, Ghiberti and the early Florentine response to Pliny. -- Pliny as an inspiration for fifteenth-century humanists, educators, patrons and artists in North Italy. -- Part V. The 'Natural history' in the age of incunables : 1469-1500. -- Pliny in print and in stone. -- Mantegna and Leonardo strive to be a new Apelles. -- Pliny helps spur the development of new subject matters. -- The Plinian signature as a badge of prestige. -- Part VI. Pliny and late fifteenth- and sixteenth-century Italian art. -- Pliny and the formation of art collections in Florence. -- 'Laocoön', or Pliny vindicated. -- Beyond 'Laocoön'. -- Part VII. Pliny and sixteenth-century Italian art theory. -- Pliny's influence on early sixteenth-century theoretical writers. -- Vasari and Pliny as historians of art. -- Pliny's influence on theoretical treatises after Vasari -- Part VIII. Conclusion. -- Pliny's legacy
- Control code
- FIEb17335723
- Dimensions
- 29 cm.
- Extent
- xiii, 450 pages
- Isbn
- 9780300186031
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Other physical details
- illustrations (some color)
- System control number
- (OCoLC)801996485
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.eui.eu/portal/Pliny-and-the-artistic-culture-of-the-Italian/pCPDNUWsl0U/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.eui.eu/portal/Pliny-and-the-artistic-culture-of-the-Italian/pCPDNUWsl0U/">Pliny and the artistic culture of the Italian Renaissance : the legacy of the Natural history, Sarah Blake McHam</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.eui.eu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.eui.eu/">European University Institute Library</a></span></span></span></span></div>
