Coverart for item
The Resource Opera and society in Italy and France from Monteverdi to Bourdieu, edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, (electronic resource)

Opera and society in Italy and France from Monteverdi to Bourdieu, edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, (electronic resource)

Label
Opera and society in Italy and France from Monteverdi to Bourdieu
Title
Opera and society in Italy and France from Monteverdi to Bourdieu
Statement of responsibility
edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman
Contributor
Subject
Language
eng
Member of
Cataloging source
MiU
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1969-
http://library.link/vocab/relatedWorkOrContributorName
  • Ertman, Thomas
  • Fulcher, Jane F
  • Johnson, Victoria
Series statement
  • ACLS Humanities E-Book
  • Cambridge studies in opera
http://library.link/vocab/subjectName
  • Opera
  • Opera
Label
Opera and society in Italy and France from Monteverdi to Bourdieu, edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, (electronic resource)
Link
https://eui.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.07565
Instantiates
Publication
Note
Developed from a conference organized by the Social Science Research Council
Antecedent source
unknown
Bibliography note
Includes bibliographical references (p. 364-394) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The representation of social and political relations in operatic works : introduction to part I / Jane F. Fulcher -- Venice's mythic empires : truth and verisimilitude in Venetian opera / Wendy Heller -- Lully's on-stage societies / Rebecca Harris-Warrick -- Representations of "le peuple" in French opera, 1673-1764 / Catherine Kintzler -- Woman's roles in Meyerbeer's operas : how Italian heroines are reflected in French grand opera / Naomi André -- The effect of a bomb in the hall : the French "opera of ideas" and its cultural role in the 1920s / Jane F. Fulcher
  • The institutional bases for the production and reception of opera : introduction to part II / Thomas Ertman -- State and market, production and style : an interdisciplinary approach to eighteenth-century Italian opera history / Franco Piperno -- Opera and the cultural authority of the capital city / William Weber -- "Edizioni distrutte" and the significance of operatic choruses during the Risorgimento / Philip Gossett -- Opera in France, 1870-1914 : between nationalism and foreign imports / Christophe Charle -- Fascism and the operatic unconscious / Michael P. Steinberg and Suzanne Stewart-Steinberg
  • Theorizing opera and the social : introduction to part III / Victoria Johnson -- On opera and society (assuming a relationship) / Herbert Lindenberger -- Symbolic domination and contestation in French music : shifting the paradigm from Adorno to Bourdieu / Jane F. Fulcher -- Rewriting history from the losers' point of view : French grand opera and modernity / Antoine Hennion -- Conclusion : towards a new understanding of the history of opera? / Thomas Ertman
Control code
MIU01000000000000007426967
Dimensions
24 cm.
Dimensions
unknown
Extent
1 online resource (xxxii, 406 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
illustrations
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (dli)HEB07565
  • (OCoLC)437178928
Label
Opera and society in Italy and France from Monteverdi to Bourdieu, edited by Victoria Johnson, Jane F. Fulcher, and Thomas Ertman, (electronic resource)
Link
https://eui.idm.oclc.org/login?url=http://hdl.handle.net/2027/heb.07565
Publication
Note
Developed from a conference organized by the Social Science Research Council
Antecedent source
unknown
Bibliography note
Includes bibliographical references (p. 364-394) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The representation of social and political relations in operatic works : introduction to part I / Jane F. Fulcher -- Venice's mythic empires : truth and verisimilitude in Venetian opera / Wendy Heller -- Lully's on-stage societies / Rebecca Harris-Warrick -- Representations of "le peuple" in French opera, 1673-1764 / Catherine Kintzler -- Woman's roles in Meyerbeer's operas : how Italian heroines are reflected in French grand opera / Naomi André -- The effect of a bomb in the hall : the French "opera of ideas" and its cultural role in the 1920s / Jane F. Fulcher
  • The institutional bases for the production and reception of opera : introduction to part II / Thomas Ertman -- State and market, production and style : an interdisciplinary approach to eighteenth-century Italian opera history / Franco Piperno -- Opera and the cultural authority of the capital city / William Weber -- "Edizioni distrutte" and the significance of operatic choruses during the Risorgimento / Philip Gossett -- Opera in France, 1870-1914 : between nationalism and foreign imports / Christophe Charle -- Fascism and the operatic unconscious / Michael P. Steinberg and Suzanne Stewart-Steinberg
  • Theorizing opera and the social : introduction to part III / Victoria Johnson -- On opera and society (assuming a relationship) / Herbert Lindenberger -- Symbolic domination and contestation in French music : shifting the paradigm from Adorno to Bourdieu / Jane F. Fulcher -- Rewriting history from the losers' point of view : French grand opera and modernity / Antoine Hennion -- Conclusion : towards a new understanding of the history of opera? / Thomas Ertman
Control code
MIU01000000000000007426967
Dimensions
24 cm.
Dimensions
unknown
Extent
1 online resource (xxxii, 406 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
illustrations
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (dli)HEB07565
  • (OCoLC)437178928

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