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The Resource Non-Representational Theory and the Creative Arts, edited by Candice P. Boyd, Christian Edwardes, (electronic resource)

Non-Representational Theory and the Creative Arts, edited by Candice P. Boyd, Christian Edwardes, (electronic resource)

Editor
Contributor
Summary
This book presents distinct perspectives from both geographically-oriented creative practices and geographers working with arts-based processes. In doing so, it fills a significant gap in the already sizeable body of non-representational discourse by bringing together images and reflections on performances, art practice, theatre, dance, and sound production alongside theoretical contributions and examples of creative writing. It considers how contemporary art making is being shaped by spatial enquiry and how geographical research has been influenced by artistic practice. It provides a clear and concise overview of the principles of non-representational theory for researchers and practitioners in the creative arts and, across its four sections, demonstrates the potential for non-representational theory to bring cultural geography and contemporary art closer than ever before.--
Language
eng
Work
Publication
Extent
1 online resource (XXIX, 371 pages)
Contents
  • Acknowledgments
  • Notes on Contributors
  • Foreword: Non-Representational Dreams
  • 1 Creative Practice and the Non-Representational
  • Part 1 Situated Practices in Art, Craft and Design
  • 2 Geo/graphic Design
  • 3 Geologic Landscape: A Performance and a Wrecked Mobile Phone
  • 4 Micro-Geographies of the Studio
  • 5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation
  • 6 Feeling Queer Art in Public: The Gay Liberation Monument
  • Part 2 Artistic Engagements with Geography
  • 7 Affecting Objects: Enacting Gesture within a Performative Research Enquiry
  • 8 Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography
  • 9 ‘Call That Art? I Call It Bad Eyesight’: Seeing or Not Seeing in the Context of Responsive Art Practice
  • 10 Forward, Back, Together – and the Materialities of Taking Part
  • 11 Where Does ‘Your’ Space End and the Next Begin? Non-Representational Geographies of Improvised Performance
  • Part 3 Geographers Exploring Artistic Practice
  • 12 Making Theatre That Matters: Troubling Subtext, Motive, and Intuition
  • 13 Creativity, Labour, and Captain Cook’s Cottage: From Great Ayton to Fitzroy Gardens
  • 14 Material Conditions in the Post-Human City
  • 15 Attuning to the Geothermal-Urban: Kinetics, Cinematics, and Digital Elementality
  • 16 Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body
  • Interlude: Supervising
  • Part 4 Sound, Music, and Creative Mobilities
  • 17 Audio Recording as Performance
  • 18 Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies
  • 19 Walk with Me
  • 20 Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm
  • 21 Fragments (formerly Tales from the Asylum)
  • 22 On Edge: Writing Non-Representational Journeys
  • Afterword: Sensing the World Anew
Isbn
9789811357497
Link
https://eui.idm.oclc.org/login?url=https://doi.org/10.1007/978-981-13-5749-7
Instance
Label
Non-Representational Theory and the Creative Arts
Title
Non-Representational Theory and the Creative Arts
Statement of responsibility
edited by Candice P. Boyd, Christian Edwardes
Contributor
Editor
Subject
Language
eng
Summary
This book presents distinct perspectives from both geographically-oriented creative practices and geographers working with arts-based processes. In doing so, it fills a significant gap in the already sizeable body of non-representational discourse by bringing together images and reflections on performances, art practice, theatre, dance, and sound production alongside theoretical contributions and examples of creative writing. It considers how contemporary art making is being shaped by spatial enquiry and how geographical research has been influenced by artistic practice. It provides a clear and concise overview of the principles of non-representational theory for researchers and practitioners in the creative arts and, across its four sections, demonstrates the potential for non-representational theory to bring cultural geography and contemporary art closer than ever before.--
Assigning source
Provided by publisher
Image bit depth
0
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Boyd, Candice P
  • Edwardes, Christian
Series statement
  • Springer eBooks
  • Springer eBooks.
http://library.link/vocab/subjectName
  • Human Geography
  • Performing arts
  • Arts
Label
Non-Representational Theory and the Creative Arts, edited by Candice P. Boyd, Christian Edwardes, (electronic resource)
Link
https://eui.idm.oclc.org/login?url=https://doi.org/10.1007/978-981-13-5749-7
Instantiates
Publication
Antecedent source
mixed
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Acknowledgments -- Notes on Contributors -- Foreword: Non-Representational Dreams -- 1 Creative Practice and the Non-Representational -- Part 1 Situated Practices in Art, Craft and Design -- 2 Geo/graphic Design -- 3 Geologic Landscape: A Performance and a Wrecked Mobile Phone -- 4 Micro-Geographies of the Studio -- 5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation -- 6 Feeling Queer Art in Public: The Gay Liberation Monument -- Part 2 Artistic Engagements with Geography -- 7 Affecting Objects: Enacting Gesture within a Performative Research Enquiry -- 8 Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography -- 9 ‘Call That Art? I Call It Bad Eyesight’: Seeing or Not Seeing in the Context of Responsive Art Practice -- 10 Forward, Back, Together – and the Materialities of Taking Part -- 11 Where Does ‘Your’ Space End and the Next Begin? Non-Representational Geographies of Improvised Performance -- Part 3 Geographers Exploring Artistic Practice -- 12 Making Theatre That Matters: Troubling Subtext, Motive, and Intuition -- 13 Creativity, Labour, and Captain Cook’s Cottage: From Great Ayton to Fitzroy Gardens -- 14 Material Conditions in the Post-Human City -- 15 Attuning to the Geothermal-Urban: Kinetics, Cinematics, and Digital Elementality -- 16 Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body -- Interlude: Supervising -- Part 4 Sound, Music, and Creative Mobilities -- 17 Audio Recording as Performance -- 18 Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies -- 19 Walk with Me -- 20 Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm -- 21 Fragments (formerly Tales from the Asylum) -- 22 On Edge: Writing Non-Representational Journeys -- Afterword: Sensing the World Anew
Control code
978-981-13-5749-7
Dimensions
unknown
Extent
1 online resource (XXIX, 371 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Isbn
9789811357497
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
64 illustrations, 57 illustrations in color.
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
(OCoLC)1090130136
Label
Non-Representational Theory and the Creative Arts, edited by Candice P. Boyd, Christian Edwardes, (electronic resource)
Link
https://eui.idm.oclc.org/login?url=https://doi.org/10.1007/978-981-13-5749-7
Publication
Antecedent source
mixed
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Acknowledgments -- Notes on Contributors -- Foreword: Non-Representational Dreams -- 1 Creative Practice and the Non-Representational -- Part 1 Situated Practices in Art, Craft and Design -- 2 Geo/graphic Design -- 3 Geologic Landscape: A Performance and a Wrecked Mobile Phone -- 4 Micro-Geographies of the Studio -- 5 Making, Knowing and Being Made: Hand-Stitching Beyond Representation -- 6 Feeling Queer Art in Public: The Gay Liberation Monument -- Part 2 Artistic Engagements with Geography -- 7 Affecting Objects: Enacting Gesture within a Performative Research Enquiry -- 8 Circadian Rhythms, Sunsets, and the Representational Thresholds of Time-Lapse Photography -- 9 ‘Call That Art? I Call It Bad Eyesight’: Seeing or Not Seeing in the Context of Responsive Art Practice -- 10 Forward, Back, Together – and the Materialities of Taking Part -- 11 Where Does ‘Your’ Space End and the Next Begin? Non-Representational Geographies of Improvised Performance -- Part 3 Geographers Exploring Artistic Practice -- 12 Making Theatre That Matters: Troubling Subtext, Motive, and Intuition -- 13 Creativity, Labour, and Captain Cook’s Cottage: From Great Ayton to Fitzroy Gardens -- 14 Material Conditions in the Post-Human City -- 15 Attuning to the Geothermal-Urban: Kinetics, Cinematics, and Digital Elementality -- 16 Thresholds of Representation: Physical Disability in Dance and Perceptions of the Moving Body -- Interlude: Supervising -- Part 4 Sound, Music, and Creative Mobilities -- 17 Audio Recording as Performance -- 18 Psy(co)motion: Anti-Production and Détournement in Affective Musical Cartographies -- 19 Walk with Me -- 20 Imaginal Travel: An Expedition in Fine Art Practice in Search of the Loneliest Palm -- 21 Fragments (formerly Tales from the Asylum) -- 22 On Edge: Writing Non-Representational Journeys -- Afterword: Sensing the World Anew
Control code
978-981-13-5749-7
Dimensions
unknown
Extent
1 online resource (XXIX, 371 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Isbn
9789811357497
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
64 illustrations, 57 illustrations in color.
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
(OCoLC)1090130136

Subject

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