The Resource National identity in global cinema : how movies explain the world, Carlo Celli
National identity in global cinema : how movies explain the world, Carlo Celli
Resource Information
The item National identity in global cinema : how movies explain the world, Carlo Celli represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in European University Institute.This item is available to borrow from 1 library branch.
Resource Information
The item National identity in global cinema : how movies explain the world, Carlo Celli represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in European University Institute.
This item is available to borrow from 1 library branch.
- Summary
- What makes an Italian film Italian or a French film French? Are Hollywood films really American? This study reveals how centralization, common language, and narrative convention express the cultural heritages within the national cinemas of nine countries. Celli brings critical theory and artistic expression back into equilibrium with a method that demonstrates how popular cinema truly can explain the world, one country at a time --
- Language
- eng
- Edition
- First edition.
- Extent
- 180 pages
- Contents
-
- Introduction
- China's Confucian, misogynistic nationalism
- Finland's rural urban split
- A certain suicidal tendency in French cinema
- The promises of India
- The Iranian divide
- Italian circularity
- Death in Mexico
- Ukrainian dualism
- America's Civil War and Hollywood's pragmatism
- Conclusion
- Isbn
- 9780230108820
- Label
- National identity in global cinema : how movies explain the world
- Title
- National identity in global cinema
- Title remainder
- how movies explain the world
- Statement of responsibility
- Carlo Celli
- Language
- eng
- Summary
- What makes an Italian film Italian or a French film French? Are Hollywood films really American? This study reveals how centralization, common language, and narrative convention express the cultural heritages within the national cinemas of nine countries. Celli brings critical theory and artistic expression back into equilibrium with a method that demonstrates how popular cinema truly can explain the world, one country at a time --
- Assigning source
- Provided by Publisher
- Cataloging source
- DLC
- http://library.link/vocab/creatorDate
- 1963-
- http://library.link/vocab/creatorName
- Celli, Carlo
- Illustrations
- illustrations
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- Series statement
- Italian and Italian American studies
- http://library.link/vocab/subjectName
-
- National characteristics in motion pictures
- Culture in motion pictures
- Label
- National identity in global cinema : how movies explain the world, Carlo Celli
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier.
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent.
- Contents
- Introduction -- China's Confucian, misogynistic nationalism -- Finland's rural urban split -- A certain suicidal tendency in French cinema -- The promises of India -- The Iranian divide -- Italian circularity -- Death in Mexico -- Ukrainian dualism -- America's Civil War and Hollywood's pragmatism -- Conclusion
- Control code
- FIEb17197193
- Dimensions
- 22 cm.
- Edition
- First edition.
- Extent
- 180 pages
- Isbn
- 9780230108820
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
-
- (DLC) 2010025761
- (OCoLC)607977743
- Label
- National identity in global cinema : how movies explain the world, Carlo Celli
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier.
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent.
- Contents
- Introduction -- China's Confucian, misogynistic nationalism -- Finland's rural urban split -- A certain suicidal tendency in French cinema -- The promises of India -- The Iranian divide -- Italian circularity -- Death in Mexico -- Ukrainian dualism -- America's Civil War and Hollywood's pragmatism -- Conclusion
- Control code
- FIEb17197193
- Dimensions
- 22 cm.
- Edition
- First edition.
- Extent
- 180 pages
- Isbn
- 9780230108820
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Media type code
-
- n
- Other physical details
- illustrations
- System control number
-
- (DLC) 2010025761
- (OCoLC)607977743
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.eui.eu/portal/National-identity-in-global-cinema--how-movies/3W1l05-6Yjc/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.eui.eu/portal/National-identity-in-global-cinema--how-movies/3W1l05-6Yjc/">National identity in global cinema : how movies explain the world, Carlo Celli</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.eui.eu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.eui.eu/">European University Institute</a></span></span></span></span></div>
