Coverart for item
The Resource Musicology and difference : gender and sexuality in music scholarship, edited by Ruth A. Solie, (electronic resource)

Musicology and difference : gender and sexuality in music scholarship, edited by Ruth A. Solie, (electronic resource)

Label
Musicology and difference : gender and sexuality in music scholarship
Title
Musicology and difference
Title remainder
gender and sexuality in music scholarship
Statement of responsibility
edited by Ruth A. Solie
Contributor
Subject
Language
eng
Cataloging source
MiU
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Solie, Ruth A
Series statement
ACLS Humanities E-Book
http://library.link/vocab/subjectName
  • Music
  • Musicology
  • Sex in music
Label
Musicology and difference : gender and sexuality in music scholarship, edited by Ruth A. Solie, (electronic resource)
Link
http://ezproxy.eui.eu/login?url=http://hdl.handle.net/2027/heb.06281
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony
Control code
MIU01000000000000006868841
Dimensions
24 cm.
Dimensions
unknown
Extent
1 online resource (xi, 355 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (dli)HEB06281
  • (OCoLC)806104965
Label
Musicology and difference : gender and sexuality in music scholarship, edited by Ruth A. Solie, (electronic resource)
Link
http://ezproxy.eui.eu/login?url=http://hdl.handle.net/2027/heb.06281
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Gender and other dualities of music history -- Difference and power in music -- Loving it : music and criticism in Roland Barthes -- Charles Ives and gender ideology -- Ethnomusicologist as midwife -- Women as musicians : a question of class -- Miriam sings her song -- Lesbian fugue -- Reading as an opera queen -- Schwarze Gredel and the engendered minor mode in Mozart's operas -- Opera -- Britten's dream -- Of women, music, and power : a model from Seicento Florence -- Carnaval, cross-dressing, and the woman in the mirror -- Narrative agendas in "absolute" music : identity and difference in Brahms's Third Symphony
Control code
MIU01000000000000006868841
Dimensions
24 cm.
Dimensions
unknown
Extent
1 online resource (xi, 355 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Quality assurance targets
unknown
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (dli)HEB06281
  • (OCoLC)806104965

Library Locations

    • Badia FiesolanaBorrow it
      Via dei Roccettini 9, San Domenico di Fiesole, 50014, IT
      43.803074 11.283055
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