Coverart for item
The Resource Law and Opera, edited by Filippo Annunziata, Giorgio Fabio Colombo, (electronic resource)

Law and Opera, edited by Filippo Annunziata, Giorgio Fabio Colombo, (electronic resource)

Label
Law and Opera
Title
Law and Opera
Statement of responsibility
edited by Filippo Annunziata, Giorgio Fabio Colombo
Contributor
Editor
Subject
Language
eng
Summary
This book explores the various connections between Law and Opera, providing a comprehensive, multinational, and multidisciplinary (with approaches from jurists, philosophers, musicologist, historians) resource on the subject. Further, it makes a valuable contribution to studies on law and the humanities. While, for example, the relationship between law and literature has been extensively researched, the relationship between Law and Opera remains largely overlooked. The book approaches the topic from three perspectives in three main sections: Law in Opera, Law on Opera, and Law around Opera.--
Member of
Assigning source
Provided by publisher
Image bit depth
0
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Annunziata, Filippo
  • Colombo, Giorgio Fabio
Series statement
Springer eBooks
http://library.link/vocab/subjectName
  • Law
  • Performing arts
  • Music
  • Law
  • Private international law
  • Conflict of laws
  • International law
  • Comparative law
Label
Law and Opera, edited by Filippo Annunziata, Giorgio Fabio Colombo, (electronic resource)
Link
http://ezproxy.eui.eu/login?url=http://dx.doi.org/10.1007/978-3-319-68649-3
Instantiates
Publication
Antecedent source
mixed
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction by Filippo Annunziata and Giorgio Fabio Colombo -- Part I – Law in Opera: Scalia/Ginsburg: the Rhythm of the US Federal Supreme Court by Francesca Benatti -- Exile and Identity: Findings of Fact and Opinions of Law in Bellini's La Straniera by Louis Bertone -- Fiat iustitia et pereat mundus. The Tragic Conflicts of the Judge in I due Foscari by Angelo Pio Buffo -- “That may be Japanese law...but not in my country!”. Marriage, Divorce and Private International Law in Giacomo Puccini’s Madama Butterfly by Giorgio Fabio Colombo, Masabumi Suzuki and Dai Yokomizo -- Crime, Prosecution and Justice in Verdi’s Otello by Paolo Di Felice and Alessandro Accinni -- Le Nozze di Figaro and the Sunset of Ancien Régime Legacy on Modern Legal Culture by Elena Faletti -- Recurring Legal Issues in Italian Opera by Silvia Ferreri -- Le nozze di Wolfgang: About the Meaning of Marriage in Mozart’s Operas by Cesare Fertonani -- The Depiction of Crimes in Puccini’s Works by Pietro Gandetto -- The “Gesualdo Case” in Contemporary Melodrama by Giovanni Iudica -- Law and Fate in Norma, I Puritani, Aida and Tosca by Przemysław Krzywoszyński and Jan Woleński -- Equality and Social Complexity. A Comparison between Idomeneo Re di Creta and Le Nozze di Figaro by Mariano Longo -- Revenge between Legal and Social Norms in Cavalleria Rusticana by Giuseppe Lorini -- Paternal Justice in Giuseppe Verdi’s Operas by Mario Antonio Riberi -- Giacomo Puccini’s Gianni Schicchi. Harmony in the System by Maria Teresa Sanza -- Part II – Law on Opera: The Voice of the Opera Singer and its Protection: Another Look at the Maria Callas Case by Julia Ammermann Yebra -- Critical Edition of an Opera: a New Look for an Old Lady? The Boundaries of Copyright Protection in the EU Countries by Giovanna Carugno -- A Little-known Source for the Public at the Paris Opéra: the Baux des Loges by Mark Darlow -- What is Allowed in the Opera? – Law as the Boundary of Artistic Experiment by Ewa Łętowska and Krzysztof Pawłowski -- The Italian Scrittura Teatrale: a Peculiar Case of Unwritten Terms Integrating Contracts by Geo Magri -- Der Ring des Nibelungen - From a Criminal Law Perspective by Peter Lewisch -- Part III – Law around Opera: Law, Opera and the Baroque Mentality: Contradictions, Paradoxes and Dialogues by Mariana Lima Maia and Marcilio Toscano Franca Filho -- Schiller’s “An die Freude”, Beethoven’s Ninth and the Struggle over Europe’s Identity by Giorgio Resta -- The Current International and Music Society by Gustavo Troccoli Carvalho de Negreiros -- Nemorino’s Plagiarims. Author Copyright, Musical Theatre, and Circulation of Texts in the Siglo de Oro of Italian Opera by Filippo Annunziata
Control code
978-3-319-68649-3
Dimensions
unknown
Extent
1 online resource (XIV, 401 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Isbn
9783319686493
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.1007/978-3-319-68649-3
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
(OCoLC)1021882306
Label
Law and Opera, edited by Filippo Annunziata, Giorgio Fabio Colombo, (electronic resource)
Link
http://ezproxy.eui.eu/login?url=http://dx.doi.org/10.1007/978-3-319-68649-3
Publication
Antecedent source
mixed
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction by Filippo Annunziata and Giorgio Fabio Colombo -- Part I – Law in Opera: Scalia/Ginsburg: the Rhythm of the US Federal Supreme Court by Francesca Benatti -- Exile and Identity: Findings of Fact and Opinions of Law in Bellini's La Straniera by Louis Bertone -- Fiat iustitia et pereat mundus. The Tragic Conflicts of the Judge in I due Foscari by Angelo Pio Buffo -- “That may be Japanese law...but not in my country!”. Marriage, Divorce and Private International Law in Giacomo Puccini’s Madama Butterfly by Giorgio Fabio Colombo, Masabumi Suzuki and Dai Yokomizo -- Crime, Prosecution and Justice in Verdi’s Otello by Paolo Di Felice and Alessandro Accinni -- Le Nozze di Figaro and the Sunset of Ancien Régime Legacy on Modern Legal Culture by Elena Faletti -- Recurring Legal Issues in Italian Opera by Silvia Ferreri -- Le nozze di Wolfgang: About the Meaning of Marriage in Mozart’s Operas by Cesare Fertonani -- The Depiction of Crimes in Puccini’s Works by Pietro Gandetto -- The “Gesualdo Case” in Contemporary Melodrama by Giovanni Iudica -- Law and Fate in Norma, I Puritani, Aida and Tosca by Przemysław Krzywoszyński and Jan Woleński -- Equality and Social Complexity. A Comparison between Idomeneo Re di Creta and Le Nozze di Figaro by Mariano Longo -- Revenge between Legal and Social Norms in Cavalleria Rusticana by Giuseppe Lorini -- Paternal Justice in Giuseppe Verdi’s Operas by Mario Antonio Riberi -- Giacomo Puccini’s Gianni Schicchi. Harmony in the System by Maria Teresa Sanza -- Part II – Law on Opera: The Voice of the Opera Singer and its Protection: Another Look at the Maria Callas Case by Julia Ammermann Yebra -- Critical Edition of an Opera: a New Look for an Old Lady? The Boundaries of Copyright Protection in the EU Countries by Giovanna Carugno -- A Little-known Source for the Public at the Paris Opéra: the Baux des Loges by Mark Darlow -- What is Allowed in the Opera? – Law as the Boundary of Artistic Experiment by Ewa Łętowska and Krzysztof Pawłowski -- The Italian Scrittura Teatrale: a Peculiar Case of Unwritten Terms Integrating Contracts by Geo Magri -- Der Ring des Nibelungen - From a Criminal Law Perspective by Peter Lewisch -- Part III – Law around Opera: Law, Opera and the Baroque Mentality: Contradictions, Paradoxes and Dialogues by Mariana Lima Maia and Marcilio Toscano Franca Filho -- Schiller’s “An die Freude”, Beethoven’s Ninth and the Struggle over Europe’s Identity by Giorgio Resta -- The Current International and Music Society by Gustavo Troccoli Carvalho de Negreiros -- Nemorino’s Plagiarims. Author Copyright, Musical Theatre, and Circulation of Texts in the Siglo de Oro of Italian Opera by Filippo Annunziata
Control code
978-3-319-68649-3
Dimensions
unknown
Extent
1 online resource (XIV, 401 pages)
File format
multiple file formats
Form of item
  • online
  • electronic
Governing access note
Use of this electronic resource may be governed by a license agreement which restricts use to the European University Institute community. Each user is responsible for limiting use to individual, non-commercial purposes, without systematically downloading, distributing, or retaining substantial portions of information, provided that all copyright and other proprietary notices contained on the materials are retained. The use of software, including scripts, agents, or robots, is generally prohibited and may result in the loss of access to these resources for the entire European University Institute community
Isbn
9783319686493
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.1007/978-3-319-68649-3
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
(OCoLC)1021882306

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