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The Resource Gender, I-deology : essays on theory, fiction and film, edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa

Gender, I-deology : essays on theory, fiction and film, edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa

Work
Publication
Extent
465 pages
Contents
  • Part 1, Introduction:
  • gender, I-deology and addictive representation: the film of familiarity / José Angel García Landa - The female body: a resonant voice in the multicultural scene / Angeles de la Concha - Fear, desire and masculinity / Joanne Neff van Aertselaer - Women and religion: a brief survey / Carmen Olivares Rivera - Kristeva's Desire in language: a feminist semiotic perspective on language and literature / Beatriz Penas Ibáñez - Complexity/; controversy: some aspects of contemporary women's studies in America / Francisco Collado Rodríguez - Formulating the aesthetics of African American women playwrights: the resonance of the black liberation and black theater movements / Olga Barrios - The new historicism and its female discontents / Pilar Hidalgo - Part 2, Fiction. "The death of a beautiful woman is, unquestionably, the most poetical topic in the world": poetic and parodic treatment of women in Poe's tales / Marita Nadal Blasco - George Egerton's "Wedlock": unlocking closed doors, looking for a key of one's own / María Dolores Herrero - Feminist utopian visions in the early 20th century U.S. / Ana Zamorano - Misogyny in Flann O'Brien's The Third Policeman / Constanza del Río Alvaro - Women and science fiction / Pamela Sargent - The silent woman: silence as subversion in Angela Carter's The magic toyshop / Isabel Fraile - A reading of Margaret Atwood's dystopia, The Handmaid's tale / Celia Florén - Subversion of sexual identity in Jeanette Winterson's The Passion / Maria del Mar Asensio Aróstegui - Winterson's Sexing the Cherry: rewriting "woman" through fantasy / Susana González Ábalos - Jeanette Winterson's politics of uncertainty in Sexing the Cherry / Susana Onega Jaén - Part 3, Film. Dietrich's androgyny and gendered spectatorship / Hilaria Loyo - Woman's death and patriarchal closure in Fritz Lang's The Big Heat / María Dolore Romero - The subordination of gender to race issues in the film musical South Pacific / Vickie Olsen - The rear view: paranoia and homosocial desire in Alfred Hitchcock's Rear Window / Juan A. Suárez Sánchez - Who's afraid of the femme fatale in Breakfast at Tiffany's? Exposure and implications of a myth / Chantal Cornut-Gentille d'Arcy - Female spectatorship in The Purple Rose of Cairo / Bárbara Arizti Martín - Gender and genre conventions in When Harry Met Sally / Ramón Plo Alastrué - Regulating desire: castration and fantasy in Blake Edwards' Switch / Celestino Deleyto - Not Oedipus' sister: the redefinition of female rites of passage in the screen adaptation of Thomas Harris's The Silence of the Lambs / Sara Martín Alegre - Gender images and patterns from novel to film / Thelma J. Shinn
Isbn
9789051839586
Instance
Label
Gender, I-deology : essays on theory, fiction and film
Title
Gender, I-deology
Title remainder
essays on theory, fiction and film
Statement of responsibility
edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa
Contributor
Subject
Language
eng
Member of
Cataloging source
IT-FiEUI
Dewey number
820.99287
Index
no index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Cornut-Gentille D'Arcy, Chantal
  • García Landa, José Angel
Series statement
Postmodern Studies
Series volume
16
http://library.link/vocab/subjectName
  • Feminist theory
  • Feminism and literature
  • Feminism and motion pictures
Label
Gender, I-deology : essays on theory, fiction and film, edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa
Instantiates
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • Part 1, Introduction:
  • gender, I-deology and addictive representation: the film of familiarity / José Angel García Landa - The female body: a resonant voice in the multicultural scene / Angeles de la Concha - Fear, desire and masculinity / Joanne Neff van Aertselaer - Women and religion: a brief survey / Carmen Olivares Rivera - Kristeva's Desire in language: a feminist semiotic perspective on language and literature / Beatriz Penas Ibáñez - Complexity/; controversy: some aspects of contemporary women's studies in America / Francisco Collado Rodríguez - Formulating the aesthetics of African American women playwrights: the resonance of the black liberation and black theater movements / Olga Barrios - The new historicism and its female discontents / Pilar Hidalgo - Part 2, Fiction. "The death of a beautiful woman is, unquestionably, the most poetical topic in the world": poetic and parodic treatment of women in Poe's tales / Marita Nadal Blasco - George Egerton's "Wedlock": unlocking closed doors, looking for a key of one's own / María Dolores Herrero - Feminist utopian visions in the early 20th century U.S. / Ana Zamorano - Misogyny in Flann O'Brien's The Third Policeman / Constanza del Río Alvaro - Women and science fiction / Pamela Sargent - The silent woman: silence as subversion in Angela Carter's The magic toyshop / Isabel Fraile - A reading of Margaret Atwood's dystopia, The Handmaid's tale / Celia Florén - Subversion of sexual identity in Jeanette Winterson's The Passion / Maria del Mar Asensio Aróstegui - Winterson's Sexing the Cherry: rewriting "woman" through fantasy / Susana González Ábalos - Jeanette Winterson's politics of uncertainty in Sexing the Cherry / Susana Onega Jaén - Part 3, Film. Dietrich's androgyny and gendered spectatorship / Hilaria Loyo - Woman's death and patriarchal closure in Fritz Lang's The Big Heat / María Dolore Romero - The subordination of gender to race issues in the film musical South Pacific / Vickie Olsen - The rear view: paranoia and homosocial desire in Alfred Hitchcock's Rear Window / Juan A. Suárez Sánchez - Who's afraid of the femme fatale in Breakfast at Tiffany's? Exposure and implications of a myth / Chantal Cornut-Gentille d'Arcy - Female spectatorship in The Purple Rose of Cairo / Bárbara Arizti Martín - Gender and genre conventions in When Harry Met Sally / Ramón Plo Alastrué - Regulating desire: castration and fantasy in Blake Edwards' Switch / Celestino Deleyto - Not Oedipus' sister: the redefinition of female rites of passage in the screen adaptation of Thomas Harris's The Silence of the Lambs / Sara Martín Alegre - Gender images and patterns from novel to film / Thelma J. Shinn
Control code
FIEb1346078x
Dimensions
24 cm.
Extent
465 pages
Isbn
9789051839586
Media category
unmediated
Media MARC source
rdamedia.
Media type code
n
System control number
(OCoLC)36711953
Label
Gender, I-deology : essays on theory, fiction and film, edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • Part 1, Introduction:
  • gender, I-deology and addictive representation: the film of familiarity / José Angel García Landa - The female body: a resonant voice in the multicultural scene / Angeles de la Concha - Fear, desire and masculinity / Joanne Neff van Aertselaer - Women and religion: a brief survey / Carmen Olivares Rivera - Kristeva's Desire in language: a feminist semiotic perspective on language and literature / Beatriz Penas Ibáñez - Complexity/; controversy: some aspects of contemporary women's studies in America / Francisco Collado Rodríguez - Formulating the aesthetics of African American women playwrights: the resonance of the black liberation and black theater movements / Olga Barrios - The new historicism and its female discontents / Pilar Hidalgo - Part 2, Fiction. "The death of a beautiful woman is, unquestionably, the most poetical topic in the world": poetic and parodic treatment of women in Poe's tales / Marita Nadal Blasco - George Egerton's "Wedlock": unlocking closed doors, looking for a key of one's own / María Dolores Herrero - Feminist utopian visions in the early 20th century U.S. / Ana Zamorano - Misogyny in Flann O'Brien's The Third Policeman / Constanza del Río Alvaro - Women and science fiction / Pamela Sargent - The silent woman: silence as subversion in Angela Carter's The magic toyshop / Isabel Fraile - A reading of Margaret Atwood's dystopia, The Handmaid's tale / Celia Florén - Subversion of sexual identity in Jeanette Winterson's The Passion / Maria del Mar Asensio Aróstegui - Winterson's Sexing the Cherry: rewriting "woman" through fantasy / Susana González Ábalos - Jeanette Winterson's politics of uncertainty in Sexing the Cherry / Susana Onega Jaén - Part 3, Film. Dietrich's androgyny and gendered spectatorship / Hilaria Loyo - Woman's death and patriarchal closure in Fritz Lang's The Big Heat / María Dolore Romero - The subordination of gender to race issues in the film musical South Pacific / Vickie Olsen - The rear view: paranoia and homosocial desire in Alfred Hitchcock's Rear Window / Juan A. Suárez Sánchez - Who's afraid of the femme fatale in Breakfast at Tiffany's? Exposure and implications of a myth / Chantal Cornut-Gentille d'Arcy - Female spectatorship in The Purple Rose of Cairo / Bárbara Arizti Martín - Gender and genre conventions in When Harry Met Sally / Ramón Plo Alastrué - Regulating desire: castration and fantasy in Blake Edwards' Switch / Celestino Deleyto - Not Oedipus' sister: the redefinition of female rites of passage in the screen adaptation of Thomas Harris's The Silence of the Lambs / Sara Martín Alegre - Gender images and patterns from novel to film / Thelma J. Shinn
Control code
FIEb1346078x
Dimensions
24 cm.
Extent
465 pages
Isbn
9789051839586
Media category
unmediated
Media MARC source
rdamedia.
Media type code
n
System control number
(OCoLC)36711953

Subject

Member of

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