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The Resource Gender, I-deology : essays on theory, fiction and film, edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa

Gender, I-deology : essays on theory, fiction and film, edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa

Work
Publication
Extent
465 pages
Contents
  • Part 1, Introduction:
  • gender, I-deology and addictive representation: the film of familiarity / José Angel García Landa - The female body: a resonant voice in the multicultural scene / Angeles de la Concha - Fear, desire and masculinity / Joanne Neff van Aertselaer - Women and religion: a brief survey / Carmen Olivares Rivera - Kristeva's Desire in language: a feminist semiotic perspective on language and literature / Beatriz Penas Ibáñez - Complexity/; controversy: some aspects of contemporary women's studies in America / Francisco Collado Rodríguez - Formulating the aesthetics of African American women playwrights: the resonance of the black liberation and black theater movements / Olga Barrios - The new historicism and its female discontents / Pilar Hidalgo - Part 2, Fiction. "The death of a beautiful woman is, unquestionably, the most poetical topic in the world": poetic and parodic treatment of women in Poe's tales / Marita Nadal Blasco - George Egerton's "Wedlock": unlocking closed doors, looking for a key of one's own / María Dolores Herrero - Feminist utopian visions in the early 20th century U.S. / Ana Zamorano - Misogyny in Flann O'Brien's The Third Policeman / Constanza del Río Alvaro - Women and science fiction / Pamela Sargent - The silent woman: silence as subversion in Angela Carter's The magic toyshop / Isabel Fraile - A reading of Margaret Atwood's dystopia, The Handmaid's tale / Celia Florén - Subversion of sexual identity in Jeanette Winterson's The Passion / Maria del Mar Asensio Aróstegui - Winterson's Sexing the Cherry: rewriting "woman" through fantasy / Susana González Ábalos - Jeanette Winterson's politics of uncertainty in Sexing the Cherry / Susana Onega Jaén - Part 3, Film. Dietrich's androgyny and gendered spectatorship / Hilaria Loyo - Woman's death and patriarchal closure in Fritz Lang's The Big Heat / María Dolore Romero - The subordination of gender to race issues in the film musical South Pacific / Vickie Olsen - The rear view: paranoia and homosocial desire in Alfred Hitchcock's Rear Window / Juan A. Suárez Sánchez - Who's afraid of the femme fatale in Breakfast at Tiffany's? Exposure and implications of a myth / Chantal Cornut-Gentille d'Arcy - Female spectatorship in The Purple Rose of Cairo / Bárbara Arizti Martín - Gender and genre conventions in When Harry Met Sally / Ramón Plo Alastrué - Regulating desire: castration and fantasy in Blake Edwards' Switch / Celestino Deleyto - Not Oedipus' sister: the redefinition of female rites of passage in the screen adaptation of Thomas Harris's The Silence of the Lambs / Sara Martín Alegre - Gender images and patterns from novel to film / Thelma J. Shinn
Isbn
9789051839586
Instance
Label
Gender, I-deology : essays on theory, fiction and film
Title
Gender, I-deology
Title remainder
essays on theory, fiction and film
Statement of responsibility
edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa
Contributor
Subject
Language
eng
Member of
Cataloging source
IT-FiEUI
Dewey number
820.99287
Index
no index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Cornut-Gentille D'Arcy, Chantal
  • García Landa, José Angel
Series statement
Postmodern Studies
Series volume
16
http://library.link/vocab/subjectName
  • Feminist theory
  • Feminism and literature
  • Feminism and motion pictures
Label
Gender, I-deology : essays on theory, fiction and film, edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa
Instantiates
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent.
Contents
  • Part 1, Introduction:
  • gender, I-deology and addictive representation: the film of familiarity / José Angel García Landa - The female body: a resonant voice in the multicultural scene / Angeles de la Concha - Fear, desire and masculinity / Joanne Neff van Aertselaer - Women and religion: a brief survey / Carmen Olivares Rivera - Kristeva's Desire in language: a feminist semiotic perspective on language and literature / Beatriz Penas Ibáñez - Complexity/; controversy: some aspects of contemporary women's studies in America / Francisco Collado Rodríguez - Formulating the aesthetics of African American women playwrights: the resonance of the black liberation and black theater movements / Olga Barrios - The new historicism and its female discontents / Pilar Hidalgo - Part 2, Fiction. "The death of a beautiful woman is, unquestionably, the most poetical topic in the world": poetic and parodic treatment of women in Poe's tales / Marita Nadal Blasco - George Egerton's "Wedlock": unlocking closed doors, looking for a key of one's own / María Dolores Herrero - Feminist utopian visions in the early 20th century U.S. / Ana Zamorano - Misogyny in Flann O'Brien's The Third Policeman / Constanza del Río Alvaro - Women and science fiction / Pamela Sargent - The silent woman: silence as subversion in Angela Carter's The magic toyshop / Isabel Fraile - A reading of Margaret Atwood's dystopia, The Handmaid's tale / Celia Florén - Subversion of sexual identity in Jeanette Winterson's The Passion / Maria del Mar Asensio Aróstegui - Winterson's Sexing the Cherry: rewriting "woman" through fantasy / Susana González Ábalos - Jeanette Winterson's politics of uncertainty in Sexing the Cherry / Susana Onega Jaén - Part 3, Film. Dietrich's androgyny and gendered spectatorship / Hilaria Loyo - Woman's death and patriarchal closure in Fritz Lang's The Big Heat / María Dolore Romero - The subordination of gender to race issues in the film musical South Pacific / Vickie Olsen - The rear view: paranoia and homosocial desire in Alfred Hitchcock's Rear Window / Juan A. Suárez Sánchez - Who's afraid of the femme fatale in Breakfast at Tiffany's? Exposure and implications of a myth / Chantal Cornut-Gentille d'Arcy - Female spectatorship in The Purple Rose of Cairo / Bárbara Arizti Martín - Gender and genre conventions in When Harry Met Sally / Ramón Plo Alastrué - Regulating desire: castration and fantasy in Blake Edwards' Switch / Celestino Deleyto - Not Oedipus' sister: the redefinition of female rites of passage in the screen adaptation of Thomas Harris's The Silence of the Lambs / Sara Martín Alegre - Gender images and patterns from novel to film / Thelma J. Shinn
Control code
FIEb1346078x
Dimensions
24 cm.
Extent
465 pages
Isbn
9789051839586
Media category
unmediated
Media MARC source
rdamedia.
Media type code
  • n
System control number
(OCoLC)36711953
Label
Gender, I-deology : essays on theory, fiction and film, edited by Chantal Cornut-Gentille D'Arcy and José Angel García Landa
Publication
Bibliography note
Includes bibliographical references
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent.
Contents
  • Part 1, Introduction:
  • gender, I-deology and addictive representation: the film of familiarity / José Angel García Landa - The female body: a resonant voice in the multicultural scene / Angeles de la Concha - Fear, desire and masculinity / Joanne Neff van Aertselaer - Women and religion: a brief survey / Carmen Olivares Rivera - Kristeva's Desire in language: a feminist semiotic perspective on language and literature / Beatriz Penas Ibáñez - Complexity/; controversy: some aspects of contemporary women's studies in America / Francisco Collado Rodríguez - Formulating the aesthetics of African American women playwrights: the resonance of the black liberation and black theater movements / Olga Barrios - The new historicism and its female discontents / Pilar Hidalgo - Part 2, Fiction. "The death of a beautiful woman is, unquestionably, the most poetical topic in the world": poetic and parodic treatment of women in Poe's tales / Marita Nadal Blasco - George Egerton's "Wedlock": unlocking closed doors, looking for a key of one's own / María Dolores Herrero - Feminist utopian visions in the early 20th century U.S. / Ana Zamorano - Misogyny in Flann O'Brien's The Third Policeman / Constanza del Río Alvaro - Women and science fiction / Pamela Sargent - The silent woman: silence as subversion in Angela Carter's The magic toyshop / Isabel Fraile - A reading of Margaret Atwood's dystopia, The Handmaid's tale / Celia Florén - Subversion of sexual identity in Jeanette Winterson's The Passion / Maria del Mar Asensio Aróstegui - Winterson's Sexing the Cherry: rewriting "woman" through fantasy / Susana González Ábalos - Jeanette Winterson's politics of uncertainty in Sexing the Cherry / Susana Onega Jaén - Part 3, Film. Dietrich's androgyny and gendered spectatorship / Hilaria Loyo - Woman's death and patriarchal closure in Fritz Lang's The Big Heat / María Dolore Romero - The subordination of gender to race issues in the film musical South Pacific / Vickie Olsen - The rear view: paranoia and homosocial desire in Alfred Hitchcock's Rear Window / Juan A. Suárez Sánchez - Who's afraid of the femme fatale in Breakfast at Tiffany's? Exposure and implications of a myth / Chantal Cornut-Gentille d'Arcy - Female spectatorship in The Purple Rose of Cairo / Bárbara Arizti Martín - Gender and genre conventions in When Harry Met Sally / Ramón Plo Alastrué - Regulating desire: castration and fantasy in Blake Edwards' Switch / Celestino Deleyto - Not Oedipus' sister: the redefinition of female rites of passage in the screen adaptation of Thomas Harris's The Silence of the Lambs / Sara Martín Alegre - Gender images and patterns from novel to film / Thelma J. Shinn
Control code
FIEb1346078x
Dimensions
24 cm.
Extent
465 pages
Isbn
9789051839586
Media category
unmediated
Media MARC source
rdamedia.
Media type code
  • n
System control number
(OCoLC)36711953

Subject

Member of

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