Coverart for item
The Resource Digital media and textuality : from creation to archiving, ed. by Daniel Côrtes Maduro, (electronic resource)

Digital media and textuality : from creation to archiving, ed. by Daniel Côrtes Maduro, (electronic resource)

Label
Digital media and textuality : from creation to archiving
Title
Digital media and textuality
Title remainder
from creation to archiving
Statement of responsibility
ed. by Daniel Côrtes Maduro
Contributor
Editor
Subject
Language
eng
Summary
Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis, and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality.--
Member of
Assigning source
Provided by Publisher
Literary form
non fiction
http://library.link/vocab/relatedWorkOrContributorName
Maduro, Daniel Côrtes
Series statement
  • Medienumbrüche
  • Open Access e-Books
Series volume
45
http://library.link/vocab/subjectName
Digital media
Label
Digital media and textuality : from creation to archiving, ed. by Daniel Côrtes Maduro, (electronic resource)
Link
https://www.degruyter.com/isbn/9783839440919
Instantiates
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Pwning Gamers, One Text at a Time
  • Part Three: Where is Narrative?
  • Character: A Concept That Does Not Stand Still
  • Shelley Jackson’s Grotesque Corpus Notes on my body⎯a Wunderkammer
  • Choice and Disbelief: Revisiting Immersion and Interactivity
  • Creative Process: Interweaving Methods, Content and Technology
  • Distilling the Elements of “Networked Narratives” with Digital Alchemy
  • Part Five: Trans-Multi-Inter-Meta (The Medium)
  • The Creative Process as a “Dance of Agency” Shelley Jackson’s Snow: Performing Literary Text with Elements
  • Narrative Across Media: Trans-Stories In-Betweeness
  • Frontmatter
  • Part Six: Tracking and Preserving Texts
  • Face, a Keyword Story The Archiving Vocabulary for Facial Expression in the German Imaginary from Printed Text to Digital Image
  • Curating “Shapeshifting Texts”
  • Postscript Loosely Connected Only to What it’s Coming After
  • Contributors
  • Contents
  • Preface
  • Part One: “Nothing Comes of Nothing”
  • Rhapsodic Textualities
  • Passing the Calvino Test? Writing Machines and Literary Ghosts
  • Part Two: Introspective Texts
  • Writing Through Contemporary Self-Translation A Constructive Technogenetic Intervention
Dimensions
unknown
Extent
1 online resource (285 pages).
Form of item
online
Isbn
9783839440919
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)1024023105
Label
Digital media and textuality : from creation to archiving, ed. by Daniel Côrtes Maduro, (electronic resource)
Link
https://www.degruyter.com/isbn/9783839440919
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Pwning Gamers, One Text at a Time
  • Part Three: Where is Narrative?
  • Character: A Concept That Does Not Stand Still
  • Shelley Jackson’s Grotesque Corpus Notes on my body⎯a Wunderkammer
  • Choice and Disbelief: Revisiting Immersion and Interactivity
  • Creative Process: Interweaving Methods, Content and Technology
  • Distilling the Elements of “Networked Narratives” with Digital Alchemy
  • Part Five: Trans-Multi-Inter-Meta (The Medium)
  • The Creative Process as a “Dance of Agency” Shelley Jackson’s Snow: Performing Literary Text with Elements
  • Narrative Across Media: Trans-Stories In-Betweeness
  • Frontmatter
  • Part Six: Tracking and Preserving Texts
  • Face, a Keyword Story The Archiving Vocabulary for Facial Expression in the German Imaginary from Printed Text to Digital Image
  • Curating “Shapeshifting Texts”
  • Postscript Loosely Connected Only to What it’s Coming After
  • Contributors
  • Contents
  • Preface
  • Part One: “Nothing Comes of Nothing”
  • Rhapsodic Textualities
  • Passing the Calvino Test? Writing Machines and Literary Ghosts
  • Part Two: Introspective Texts
  • Writing Through Contemporary Self-Translation A Constructive Technogenetic Intervention
Dimensions
unknown
Extent
1 online resource (285 pages).
Form of item
online
Isbn
9783839440919
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)1024023105

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