Coverart for item
The Resource Colonial cinema and imperial France, 1919-1939 : white blind spots, male fantasies, settler myths, David Henry Slavin

Colonial cinema and imperial France, 1919-1939 : white blind spots, male fantasies, settler myths, David Henry Slavin

Label
Colonial cinema and imperial France, 1919-1939 : white blind spots, male fantasies, settler myths
Title
Colonial cinema and imperial France, 1919-1939
Title remainder
white blind spots, male fantasies, settler myths
Statement of responsibility
David Henry Slavin
Creator
Subject
Language
eng
Summary
In this book, the author uses such key colonial-era films as L'Atlantide and Pepe le Moko to document how the French cinema reflected the changing policies and values of French colonialism in the inter-war period
Cataloging source
IT-FiEUI
http://library.link/vocab/creatorName
Slavin, David Henry
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Motion pictures
  • Imperialism in motion pictures
  • France
Label
Colonial cinema and imperial France, 1919-1939 : white blind spots, male fantasies, settler myths, David Henry Slavin
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 253-288) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • Cultural hegemony in French Algerian history -- The
  • form of rule in cultural context -- Heart of darkness, hearth of light: la mission civilizatrice and le Cafard in L'Atlantide -- French cinema's other first wave: the political and racial economics of filming the colonies -- Tourists, reels, and steelers: French-Moroccan film in decline, 1926-1931 -- French colonial film before and after Itto (1934): from Berber myth to peace war -- The
  • thin white line of Western civilization: foreign legion movies, masculinity, and family life -- Poetic realism's Cinéma colonial: native songs of the popular front?
Control code
FIEb12752149
Dimensions
23 cm.
Extent
xv, 300 pages
Isbn
9780801866166
Media category
unmediated
Media MARC source
rdamedia.
Media type code
n
Other physical details
illustrations
System control number
(OCoLC)45137451
Label
Colonial cinema and imperial France, 1919-1939 : white blind spots, male fantasies, settler myths, David Henry Slavin
Publication
Bibliography note
Includes bibliographical references (pages 253-288) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • Cultural hegemony in French Algerian history -- The
  • form of rule in cultural context -- Heart of darkness, hearth of light: la mission civilizatrice and le Cafard in L'Atlantide -- French cinema's other first wave: the political and racial economics of filming the colonies -- Tourists, reels, and steelers: French-Moroccan film in decline, 1926-1931 -- French colonial film before and after Itto (1934): from Berber myth to peace war -- The
  • thin white line of Western civilization: foreign legion movies, masculinity, and family life -- Poetic realism's Cinéma colonial: native songs of the popular front?
Control code
FIEb12752149
Dimensions
23 cm.
Extent
xv, 300 pages
Isbn
9780801866166
Media category
unmediated
Media MARC source
rdamedia.
Media type code
n
Other physical details
illustrations
System control number
(OCoLC)45137451

Library Locations

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      Via dei Roccettini 9, San Domenico di Fiesole, 50014, IT
      43.803074 11.283055
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