The Resource Aspiration, representation and memory : the Guise in Europe, 1506-1688, edited by Jessica Munns, Penny Richards, Jonathan Spangler
Aspiration, representation and memory : the Guise in Europe, 1506-1688, edited by Jessica Munns, Penny Richards, Jonathan Spangler
Resource Information
The item Aspiration, representation and memory : the Guise in Europe, 1506-1688, edited by Jessica Munns, Penny Richards, Jonathan Spangler represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in European University Institute.This item is available to borrow from 1 library branch.
Resource Information
The item Aspiration, representation and memory : the Guise in Europe, 1506-1688, edited by Jessica Munns, Penny Richards, Jonathan Spangler represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in European University Institute.
This item is available to borrow from 1 library branch.
- Summary
- Exploiting the turbulence and strife of sixteenth-century France, the House of Guise arose from a provincial power base to establish themselves as dominant political players in France and indeed Europe, marrying within royal and princely circles and occupying the most important ecclesiastical and military positions. Propelled by ambitions derived from their position as cadets of a minor sovereign house, they represent a cadre of early modern elites who are difficult to categorise neatly: neither fully sovereign princes nor fully subject nobility. They might have spent most of their time in one state, France, but their interests were always trans-national; contested spaces far from the major centres of monarchical power from the Ardennes to the Italian peninsula were frequent theatres of activity for semi-sovereign border families such as the Lorraine-Guise. This nexus of activity, and the interplay between princely status and representation, is the subject of this book. The essays in this collection approach Guise aims, ambitions and self-fashioning using this trans-national dimension as context: their desire for increased royal (rather than merely princely) power and prestige, and the use of representation (visual and literary) in order to achieve it. Guise claims to thrones and territories from Jerusalem to Naples are explored, alongside the Guise dream of Italy, with in-depth studies of Henry of Lorraine, fifth Duke of Guise, and his attempts in the mid-seventeenth century to gain a throne in Naples. The combination of the violence and drama of their lives at the centres of European power and their adroit use of publicity ensured that versions of their strongly delineated images were appropriated by chroniclers, playwrights and artists, in which they sometimes featured as they would have wished, as heroes and heroines, frequently as villains, and ultimately as characters in the narratives of national heritage.--
- Language
- eng
- Extent
- xi, 201 pages, 8 unnumbered pages of plates
- Contents
-
- Introduction: The context of a dream, Jonathan Spangler, Penny Richards and Jessica Munns; The Guise and the two Jerusalems: Joinville's Vie de saint Louis and an early modern family's medievalism, Robert S. Sturges; The Guise 'Italianised'? The role of Italian merchants, intermediaries and experts in ducal consumption in the 16th century, Marjorie Meiss-Even; Political uses of reputation and celebrity in the 17th century: the case of Henri de Lorraine, fifth Duke of Guise, Michèle Benaiteau; 'Magnificence reigned': Anthony Van Dyck's portrait of Henri II de Lorraine, Duke of Guise, David A.H.B. Taylor; Dreaming of the crown: political discourses and other sources relating to the Duke of Guise in Naples (1647-48 and 1654), Silvana D'Alessio; Mother knows best: the Dowager Duchess of Guise, a son's ambitions, and the regencies of Marie de Medici and Anne of Austria, Jonathan Spangler; Parthenope's call: the Duke of Guise's return to Naples in 1654, Charles Gregory; Warriors of God: history, heritage and the reputation of the Guise, Penny Richards; Channel crossing: the Guise in British drama, Jessica Munns; Index
- Isbn
- 9781472419347
- Label
- Aspiration, representation and memory : the Guise in Europe, 1506-1688
- Title
- Aspiration, representation and memory
- Title remainder
- the Guise in Europe, 1506-1688
- Statement of responsibility
- edited by Jessica Munns, Penny Richards, Jonathan Spangler
- Language
- eng
- Summary
- Exploiting the turbulence and strife of sixteenth-century France, the House of Guise arose from a provincial power base to establish themselves as dominant political players in France and indeed Europe, marrying within royal and princely circles and occupying the most important ecclesiastical and military positions. Propelled by ambitions derived from their position as cadets of a minor sovereign house, they represent a cadre of early modern elites who are difficult to categorise neatly: neither fully sovereign princes nor fully subject nobility. They might have spent most of their time in one state, France, but their interests were always trans-national; contested spaces far from the major centres of monarchical power from the Ardennes to the Italian peninsula were frequent theatres of activity for semi-sovereign border families such as the Lorraine-Guise. This nexus of activity, and the interplay between princely status and representation, is the subject of this book. The essays in this collection approach Guise aims, ambitions and self-fashioning using this trans-national dimension as context: their desire for increased royal (rather than merely princely) power and prestige, and the use of representation (visual and literary) in order to achieve it. Guise claims to thrones and territories from Jerusalem to Naples are explored, alongside the Guise dream of Italy, with in-depth studies of Henry of Lorraine, fifth Duke of Guise, and his attempts in the mid-seventeenth century to gain a throne in Naples. The combination of the violence and drama of their lives at the centres of European power and their adroit use of publicity ensured that versions of their strongly delineated images were appropriated by chroniclers, playwrights and artists, in which they sometimes featured as they would have wished, as heroes and heroines, frequently as villains, and ultimately as characters in the narratives of national heritage.--
- Assigning source
- Provided by Publisher
- Cataloging source
- StDuBDS
- http://library.link/vocab/creatorDate
- 1949-
- http://library.link/vocab/creatorName
- Munns, Jessica
- Illustrations
-
- illustrations
- plates
- Index
- index present
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/relatedWorkOrContributorDate
-
- 1946-
- 1971-
- http://library.link/vocab/relatedWorkOrContributorName
-
- Richards, Penny
- Spangler, Jonathan
- http://library.link/vocab/subjectName
-
- Guise, House of
- Nobility
- Nobility
- France
- France
- Europe
- Label
- Aspiration, representation and memory : the Guise in Europe, 1506-1688, edited by Jessica Munns, Penny Richards, Jonathan Spangler
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier MARC source
- rdacarrier.
- Content category
- text
- Content type MARC source
- rdacontent.
- Contents
- Introduction: The context of a dream, Jonathan Spangler, Penny Richards and Jessica Munns; The Guise and the two Jerusalems: Joinville's Vie de saint Louis and an early modern family's medievalism, Robert S. Sturges; The Guise 'Italianised'? The role of Italian merchants, intermediaries and experts in ducal consumption in the 16th century, Marjorie Meiss-Even; Political uses of reputation and celebrity in the 17th century: the case of Henri de Lorraine, fifth Duke of Guise, Michèle Benaiteau; 'Magnificence reigned': Anthony Van Dyck's portrait of Henri II de Lorraine, Duke of Guise, David A.H.B. Taylor; Dreaming of the crown: political discourses and other sources relating to the Duke of Guise in Naples (1647-48 and 1654), Silvana D'Alessio; Mother knows best: the Dowager Duchess of Guise, a son's ambitions, and the regencies of Marie de Medici and Anne of Austria, Jonathan Spangler; Parthenope's call: the Duke of Guise's return to Naples in 1654, Charles Gregory; Warriors of God: history, heritage and the reputation of the Guise, Penny Richards; Channel crossing: the Guise in British drama, Jessica Munns; Index
- Control code
- FIEb17690067
- Dimensions
- 24 cm.
- Extent
- xi, 201 pages, 8 unnumbered pages of plates
- Isbn
- 9781472419347
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Other physical details
- colour illustrations
- System control number
-
- (Uk)017037908
- (OCoLC)900031326
- Label
- Aspiration, representation and memory : the Guise in Europe, 1506-1688, edited by Jessica Munns, Penny Richards, Jonathan Spangler
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- volume
- Carrier MARC source
- rdacarrier.
- Content category
- text
- Content type MARC source
- rdacontent.
- Contents
- Introduction: The context of a dream, Jonathan Spangler, Penny Richards and Jessica Munns; The Guise and the two Jerusalems: Joinville's Vie de saint Louis and an early modern family's medievalism, Robert S. Sturges; The Guise 'Italianised'? The role of Italian merchants, intermediaries and experts in ducal consumption in the 16th century, Marjorie Meiss-Even; Political uses of reputation and celebrity in the 17th century: the case of Henri de Lorraine, fifth Duke of Guise, Michèle Benaiteau; 'Magnificence reigned': Anthony Van Dyck's portrait of Henri II de Lorraine, Duke of Guise, David A.H.B. Taylor; Dreaming of the crown: political discourses and other sources relating to the Duke of Guise in Naples (1647-48 and 1654), Silvana D'Alessio; Mother knows best: the Dowager Duchess of Guise, a son's ambitions, and the regencies of Marie de Medici and Anne of Austria, Jonathan Spangler; Parthenope's call: the Duke of Guise's return to Naples in 1654, Charles Gregory; Warriors of God: history, heritage and the reputation of the Guise, Penny Richards; Channel crossing: the Guise in British drama, Jessica Munns; Index
- Control code
- FIEb17690067
- Dimensions
- 24 cm.
- Extent
- xi, 201 pages, 8 unnumbered pages of plates
- Isbn
- 9781472419347
- Media category
- unmediated
- Media MARC source
- rdamedia.
- Other physical details
- colour illustrations
- System control number
-
- (Uk)017037908
- (OCoLC)900031326
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.eui.eu/portal/Aspiration-representation-and-memory--the-Guise/SvwicMrenNc/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.eui.eu/portal/Aspiration-representation-and-memory--the-Guise/SvwicMrenNc/">Aspiration, representation and memory : the Guise in Europe, 1506-1688, edited by Jessica Munns, Penny Richards, Jonathan Spangler</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.library.eui.eu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.eui.eu/">European University Institute</a></span></span></span></span></div>