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The Resource Approaches to understanding visual culture, Malcolm Barnard

Approaches to understanding visual culture, Malcolm Barnard

Label
Approaches to understanding visual culture
Title
Approaches to understanding visual culture
Statement of responsibility
Malcolm Barnard
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1958-
http://library.link/vocab/creatorName
Barnard, Malcolm
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Visual sociology
  • Culture
  • Art and society
Label
Approaches to understanding visual culture, Malcolm Barnard
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • Explanation and Understanding: Visual Culture and Social Science
  • Explanation and understanding: science and social science
  • Hermeneutic traditions
  • Structural traditions
  • 3.
  • Interpretation and the Individual
  • Fifteenth-century Italy: a church-going business man with a taste for dancing
  • Twentieth-century England: a fashion-conscious pansy with a taste for violence
  • The strengths and weaknesses of the hermeneutic account
  • 4.
  • 1.
  • Expression and Communication
  • Expression
  • Auteur theory
  • Psychoanalysis: unconscious expression
  • Strengths and weaknesses
  • 5.
  • Feminism: Personal and Political
  • Feminism and understanding
  • Feminism: personnel, objects, institutions and practices
  • Strengths and weaknesses
  • Understanding Visual Culture
  • 6.
  • Marxism and the Social History of Art and Design
  • Marxism, understanding and structure
  • Arnold Hauser
  • Nicos Hadjinicolaou
  • Tim Clark
  • Gen Doy
  • Griselda Pollock
  • Strengths and weaknesses
  • 7.
  • Understanding visual culture
  • Semiology, Iconology and Iconography
  • The sign
  • Denotation and connotation
  • Structure: narrative, syntagm and paradigm
  • Strengths and weaknesses
  • 8.
  • Form and Style
  • Form and style: Clive Bell, Heinrich Wolfflin and Clement Greenberg
  • Strengths and weaknesses
  • Dick Hebdige and Ted Polhemus
  • So, who understands visual culture?
  • 9.
  • Conclusion
  • Hermeneutics and structure
  • Can we tell when we understand a piece of visual culture?
  • What kind of thing are we doing when we understand a piece of visual culture?
  • What is understanding?
  • 2.
Control code
FIEb17359521
Dimensions
22 cm.
Extent
xi, 212 pages
Isbn
9780333772881
Media category
unmediated
Media MARC source
rdamedia.
Media type code
n
Other physical details
illustrations
System control number
(OCoLC)45505833
Label
Approaches to understanding visual culture, Malcolm Barnard
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier.
Content category
text
Content type code
txt
Content type MARC source
rdacontent.
Contents
  • Explanation and Understanding: Visual Culture and Social Science
  • Explanation and understanding: science and social science
  • Hermeneutic traditions
  • Structural traditions
  • 3.
  • Interpretation and the Individual
  • Fifteenth-century Italy: a church-going business man with a taste for dancing
  • Twentieth-century England: a fashion-conscious pansy with a taste for violence
  • The strengths and weaknesses of the hermeneutic account
  • 4.
  • 1.
  • Expression and Communication
  • Expression
  • Auteur theory
  • Psychoanalysis: unconscious expression
  • Strengths and weaknesses
  • 5.
  • Feminism: Personal and Political
  • Feminism and understanding
  • Feminism: personnel, objects, institutions and practices
  • Strengths and weaknesses
  • Understanding Visual Culture
  • 6.
  • Marxism and the Social History of Art and Design
  • Marxism, understanding and structure
  • Arnold Hauser
  • Nicos Hadjinicolaou
  • Tim Clark
  • Gen Doy
  • Griselda Pollock
  • Strengths and weaknesses
  • 7.
  • Understanding visual culture
  • Semiology, Iconology and Iconography
  • The sign
  • Denotation and connotation
  • Structure: narrative, syntagm and paradigm
  • Strengths and weaknesses
  • 8.
  • Form and Style
  • Form and style: Clive Bell, Heinrich Wolfflin and Clement Greenberg
  • Strengths and weaknesses
  • Dick Hebdige and Ted Polhemus
  • So, who understands visual culture?
  • 9.
  • Conclusion
  • Hermeneutics and structure
  • Can we tell when we understand a piece of visual culture?
  • What kind of thing are we doing when we understand a piece of visual culture?
  • What is understanding?
  • 2.
Control code
FIEb17359521
Dimensions
22 cm.
Extent
xi, 212 pages
Isbn
9780333772881
Media category
unmediated
Media MARC source
rdamedia.
Media type code
n
Other physical details
illustrations
System control number
(OCoLC)45505833

Library Locations

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